An inventor and his mom hit the road together so he can sell his latest invention.
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Looking for a fresh angle to her book on relationships, Merry heads to snow-covered Vermont. She finds a new perspective and Christmas cheer with charismatic aid worker Chris.
More and more parents take competitive behavior towards the teachers of their children: deny votes and programs, vaneggiano of likes, dislikes, and conspiracies. So, instead of helping in the training of their children, they become insurmountable obstacles to their growth. Presumptuously they think: “We know better than anyone else our children and we know what they are worth and how and what you have to teach.”
A supernatural menace has descended on the peaceful town of Woodsville Center! It’s up to Officier Rusty (Matt Farley), his partner Wolf (Jim McHugh, the mysterious newcomer known as The Eastern European (Tom Scalzo), loyal Officer Annabelle (Sharon Scalzo), and their courageous friends to take down this deadly villain!
A stuntwoman on a western picture takes over the lead role when the star’s alcohol problems prove too much, and she finds herself gradually falling in love with the film’s producer.
On a beautiful college campus, something ugly is about to be spread around. A bit of gossip that was told is starting to take a frightening turn. Who could it have offended and how far will the person on the other side of the gossip handle the embarrassing situation.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
David is transported to the cut-throat world of fashion. Olivia, an up-and-coming fashion designer who gets the opportunity of a lifetime to work for icon Salma Barrie. But things go out of control when Olivia must step up to save the company and fight against a former co-worker who has started a competing company.
Judy Wilson (Gale Storm), feeling neglected because both of her parents are working in defense plants, meets and falls in love with Danny Chester (Jackie Cooper), who enlists in the Navy and is sent to San Diego for training. She accepts an invitation to go on a ride to San Diego with her friends Herb (Neyle Morrow), Opal (Evelyn Eaton)and Jerry (Jimmy Zahner) but doesn’t know the car has been stolen.
Maggie Peyton, the new owner of Number 53 – the free-wheelin’ Volkswagen bug with a mind of its own – puts the car through its paces on the road to becoming a NASCAR competitor.
A gang of cold-blooded outlaws narrowly escapes a blood-soaked bank robbery in a grimy frontier town. With a notorious bounty hunter hot on their trail, these nefarious criminals desperately need a place to hide out before night falls. Fate brings them to the home of the Tildons, a seemingly innocent family with two feisty daughters. As the men settle in, an impetuous game of cat and mouse plays out during the cold, black night. Come morning, nothing will ever be the same.
Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks – including a stripper named Nikki and her boyfriend, the local meth producer, The Cook – but all he really wants to do is hook up with his old girlfriend, Amy.
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