By God’s mistake, an arrogant single lawyer turns into a mother of two kids! Yeon-woo, an ambitious lawyer never believes in love is about to start her new job at the biggest law firm in the states. A day before her departure she gets into a car accident and passes out. She arrived in heaven and realizes that she died instead of her namesake. The death manager LEE, to cover his mistake, offers her to live in someone else’s body for one month. Yeon-woo now has to live as a mother of a 6 years old daughter with a mundane officeholder. Will Yeon-woo manage to live as an ordinary housewife?

Steph has been possessed by the spirit of the Evil Lord Zasulground and it’s up to Steph and her best friend Liz Lucky to defeat it.

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When a group of young people camping in the ruins of a medieval Turkish town play a party game called ‘Murder in the Dark’, they soon discover that someone is taking the game too far…Produced in an experimental shooting style, this murder-mystery features a cast of actors who were not allowed to see the script. The actors’ choices interactively changed the shape of the story. They had to use clues to solve the mystery laid out before them by the filmmakers.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

An introverted teen sparks with his new neighbor, and together the couple begins to explore the haunted house that is family has unknowingly just purchased.

A mysterious — and suspicious — run of ill fortune plagues a teenage girl and her mother and sister on their hillside farm in this folk story set in the dark hills of Wales during the industrial revolution.

A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl’s father teams with his ex-wife to find a way to end the curse upon their child.

Carrie Bishop (Booth) lives for her successful career as an event planner in New York City, but her life changes in an instant after a nasty car accident in a snowstorm. Carrie suffers head trauma and regains consciousness in Central Park with an older man, Henry (Derek McGrath, “Little Mosque on the Prairie”). Henry is Carrie’s spirit guide and is there to help her “pass over” to Heaven. But before Carrie can move on, she must fulfill one last task on Earth – a type of Angel Duty. Henry tells Carrie that she must help guide a widowed, young restaurant owner, Scott Walker, (McGillion) who has recently considered suicide because his beloved restaurant/catering business is utterly failing. Carrie befriends Scott and his 8-year-old daughter and immediately displays a knack for promoting the restaurant. But time isn’t on Carrie’s side on this mission. She has until midnight Christmas Eve to turn the eatery around…

Roger Cobb is a author who has just separated from his wife. He moves into a new house and tries to work on a novel based on his experiences in the Vietnam War. Strange things start happening around him; little things at first, but as they become more frequent, Cobb becomes aware that the house resents his presence.

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