Quan is a humble London businessman whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love – his teenage daughter – dies in a senseless act of politically-motivated terrorism. His relentless search to find the terrorists leads to a cat-and-mouse conflict with a British government official whose own past may hold the clues to the identities of the elusive killers.
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Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
The film is based on the Killzone series, a popular first person shooter on the PlayStation 3 platform. It’s an independent sci-fi action project. It took 2 years to produce with the help of volunteers and even with the assistance of the game developers. Killzone Intercept occurs before the events of Killzone 4 as the ISA evacuate Helghan. The protagonist, a small scout squad is called upon to stall a large group of approaching Helghasts that plan to cut off the ISA convoy from reaching the extraction point. Outnumbered, the squad takes on the task with hopes of getting everyone off the planet alive.
What happens when a small town detective, Rachel Willow discovers what it is happening in her city. It’s an intimate story that exposes that sex trafficking isn’t just an international problem, or a city problem. It can happen anywhere.
Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.
In a broken city rife with injustice, ex-cop Billy Taggart seeks redemption and revenge after being double-crossed and then framed by its most powerful figure, the mayor. Billy’s relentless pursuit of justice, matched only by his streetwise toughness, makes him an unstoppable force – and the mayor’s worst nightmare.
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