In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
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Taiwanese pop sensation Jay Chou, drawing on his years as an actor, director, and recording star, creates a fantasy playground of music, moves, and magic as a backdrop to an action comedy which pays homage to the wondrous musicals of the past, while exploding to life with today’s sound and spirit.
Patience Portefeux is a French-Arabic police translator, specialized in phone tappings for the anti-narcotics unit. The job is tough and low-paid, but the commander is charming… One day, whilst listening to wanted drug dealers, she discovers one of them is the son of the fantastic woman who takes care of her mother. She decides to protect him and is brought in the middle of a drug network. When she gets her hands on a huge load of hash, with the help of her new partner, the former police dog DNA, she seizes the opportunity and becomes Mama Weed, drug wholesaler, thanks to her field experience… and all the information she gets in her job!
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Samuel Pierret is a nurse who saves the wrong guy – a thief whose henchmen take Samuel’s pregnant wife hostage to force him to spring their boss from the hospital. A race through the subways and streets of Paris ensues, and the body count rises. Can Samuel evade the cops and the criminal underground and deliver his beloved to safety?
After discovering they are all dating the same same guy, three popular students from different cliques band together for revenge, so they enlist the help of a new gal in town and conspire to break the jerk’s heart, while destroying his reputation.
Gwyneth Paltrow plays London publicist Helen, effortlessly sliding between parallel storylines that show what happens if she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life.
A documentary filmmaker whose latest project involves gifted children bonds with his smart-yet-sensitive nephew, whose father struggles with bipolar disorder and is in the grips of a manic episode.
A rule bound head butler’s world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master’s cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history – largely unknown until now – “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
JIM TAHANA doesn’t leave much of an impression when he passes you by. But look closer and you’ll sense his hunger – the deep hunger of an insatiable American soul – always scanning to devour something – anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism – the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murder from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim’s rancid sexual impulses and weakening grip on reality deteriorate into a violent despair that will ultimately unlock an unspeakable secret festering within him, bringing The Grief Tourist to it’s brutal and shocking finale…
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