Although evidence of meat consumption’s negative impact on the planet and on human health continue stacking up as animal welfare is on the decline, humanity’s love affair with hamburgers, steaks, nuggets and chops just doesn’t end. In The End of Meat, filmmaker Marc Pierschel embarks on a journey to discover what effect a post-meat world would have on the environment, the animals and ourselves. He meets Esther the Wonder Pig, who became an internet phenomenon; talks to pioneers leading the vegan movement in Germany; visits the first fully vegetarian city in India; witnesses rescued farm animals enjoying their newly found freedom; observes the future food innovators making meat and dairy without the animals, even harvesting “bacon” from the ocean and much more. The End of Meat reveals the hidden impact of meat consumption; explores the opportunities and benefits of a shift to a more compassionate diet; and raises critical questions about the future role of animals in our society.
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Futurists, enlightening the minds of the many for the acceptance of a digital value exchange system focused on prosperity and transforming our world.
The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?
In 2013 Jeremy Clarkson and Richard Hammond embarked on what they hoped would be the perfect road trip. It started well and ended, quite frankly, very badly. Unbowed, the Top Gear pair are back for another crack and this time they’re hoping to avoid inconveniences like apprehension by the French police. Welcome, then, to The Perfect Road Trip… 2. Once again, Clarkson and Hammond are seeking joy and perfection wherever it may be with a range of fast, beautiful and exciting cars unleashed on glorious roads amongst gorgeous scenery and drenched in Mediterranean sunshine. As part of their arduous research into perfection, the duo will also undertake some ridiculous challenges and hilarious stunts culminating in a strangely literal car race on the island of Capri. Top Gear – The Perfect Road Trip 2. This time it really is perfect. Except for the bits that aren’t.
Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.
After 16-year-old Cyntoia Brown is sentenced to life in prison, questions about her past, physiology and the law itself call her guilt into question.
The Edhi children’s shelter is a rare safe haven for Karachi’s runaways. Over three years, its cranky founder, a spirited child, and a gold-hearted ambulance driver are filmed, creating a tender portrait of where a city’s most vulnerable and dedicated souls meet.
The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.
Tom Waits is one of the most original musicians of the last five decades. Renowned for his gravelly voice and dazzling mix of musical styles, he’s also one of modern music’s most enigmatic and influential artists. Using rare archive, audio recordings and interviews, this film is a bewitching after-hours trip through the surreal, moonlit world of Waits’ music – a portrait of a pioneering musician and his unique, alternative American songbook.
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OUR GODFATHER is a feature-length documentary about Tommaso Buscetta, the first high-ranking Italian mafia boss ever to turn against Cosa Nostra. Buscetta helped convict more than 400 Mafiosi. He became the Mob’s most wanted man in the world – and 11 members of his family were killed. “He was the most important, protected and endangered witness in US criminal history” The film tells – for the first time- the Buscetta story with exclusive access to his family, which is breaking its silence after 30 years in hiding.
From Oscar and Emmy award winning filmmakers, Red Army highlights the Soviet Union’s legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team’s Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy. The film turns a unique lens on the social and cultural transformation of the Soviet Union leading up to the fall of Communism, mirroring the rise and fall of the Red Army team. A film by Gabe Polsky and Executive Producers Werner Herzog and Jerry Weintraub.
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