The harrowing story of a woman trying to use Alabama’s Stand Your Ground law after killing a man she says brutally attacked her.

Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.

Having made nearly 200 low-budget movies in just two decades, Utah writer-director Stephen Groo is now seeking production funds and the involvement of celebrity fan Jack Black for a remake of his 2004 human/elf fantasy drama ‘The Unexpected Race’. Scott Christopherson’s hilarious yet sincere portrait depicts this uphill battle, while examining the unusual methods of a determined DIY auteur.

Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.

Rocco Siffredi is to pornography what Mike Tyson is to boxing or Mick Jagger is to rock’n’roll: a living legend. His mother wanted him to be a priest; with her blessing he became a hardcore performer, devoting his life to one God only: Desire. Rocco Siffredi reveals all, even if it sometimes means busting his own myth: his true story, beginnings, career, wife and children… and the ultimate revelation that will change his life forever.

The untold story of Hammer at Warner Bros, and the relationship that produced some of the British company’s finest films.

In Missing 411: The UFO Connection, David Paulides continues the story of people who vanish in the wild without a trace. In his third documentary, David reveals the first evidence documenting a link between UFOs and missing people.

Lying on the remote north west coast of England is one of the most secret places in the country – Sellafield, the most controversial nuclear facility in Britain. Now, Sellafield are letting nuclear physicist Professor Jim Al-Khalili and the television cameras in to discover the real story. Inside, Jim encounters some of the most dangerous substances on earth, reveals the nature of radiation and even attempts to split the atom. He sees inside a nuclear reactor, glimpses one of the rarest elements in the world – radioactive plutonium – and even subjects living tissue to deadly radiation. Ultimately, the film reveals Britain’s attempts – past, present and future – to harness the almost limitless power of the atom.

An optimistic (and witty) discovery of what people are already doing, what we as a nation could be doing and what the world needs to do to prevent (or at least slow down) the impending climate crisis.

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

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A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”