Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster’s daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

A family man convicted of killing an intruder must cope with life afterward in the violent penal system.

Chancer John lives for playing the odds – and he’s always willing to take a calculated risk. But when he meets the mysterious and beautiful female bookie Stan, he discovers there’s much more to gambling than just greyhounds and horses. Lured by her huge payoffs, John finds himself sucked into a surreal and dangerous word ruled by money, power and control. The question is how far will John go for the ultimate last big win?

Shaul (Uri Pepper), the film’s protagonist, a solitary divorced man, tries to overcome his difficult emotional state. He goes to see his father Shimon (Moni Moshonov) in Haifa and confronts him, blaming his father for all his current woes. Shimon and his partner Betty (Michaela Eshet), try to help Shaul with alternative methods, using stones with magical attributes and therapeutic oils. With their help, Shaul becomes much more optimistic…

A mother is determined that her daughter will be a movie star, and will do anything–and have her daughter do anything–to make it happen.

Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.

Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.

Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition–a fight to the death–will take place between the five best shinobi from each village. Gennosuke and Oboro’s love is made even more impossible when they each got picked as the leader of the five to represent their respective villages.

Suffering from mental illness and opiate addiction, Charli struggles to hold it all together, often leaving behind a wake of destruction. As Charli begins to lose her fragile grip on reality, her demons lead her down a dangerous path with no way out.

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Chen is a city boy who moves with his cousins to work at an ice factory. He does this with a family promise never to get involved in any fight. However, when members of his family begin disappearing after meeting the management of the factory, the resulting mystery and pressures force him to break that vow and take on the villainy of the Big Boss.

In 1960s New York, Walter Stackhouse is a successful architect married to the beautiful Clara who leads a seemingly perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer and an overambitious detective, while at the same time lusting after another woman.