Set in a small town in 1959 England, it is the story of a woman who decides, against polite but ruthless local opposition, to open a bookshop, a decision which becomes a political minefield.
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The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto (Kaoru Kobayashi) and the new stud who comes into her life, Ryota Kinoshita (Gou Ayano). Tomoko (Hikari Mitsushima) is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.
On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law. In the process, mother and daughter forge a connection stronger than any they’ve ever known.
A pair of former high school sweethearts reunite after many years when they return to visit their small hometown.
When 9 first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good.
Suresh wants to be a big dancer to fulfill his mother’s wish. Vinnie wants to be the best hip-hop dancer. They are childhood friends. They form a team and participate in a national level competition “Hum Kisi Se Kum Nahin” where they are disqualified as their moves are copied and everyone calls them cheaters. Everyone departs to search for jobs. Suresh plans to remove the negative tag by winning the hip-hop competition in Las Vegas. One day he watches Vishnu dance in the bar and convinces him to be their choreographer. They audition for people and collect the team.
This is the story of Isa, who grows up in a Hamburg suburb. It might be one of the world’s richest cities but every beast has its belly and here, in the very underbelly, Chiko lives in a world where violence, staking and keeping a claim, and drug taking are the norm. Where down is not an option, Chiko is determined to rise to the top, whatever and whomever it costs.
Galo and the Burning Rescue Fire Department face off against BURNISH, a group of mutants who are able to control and wield flames, and the fire disaster they have unleashed on Earth.
Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)
A painter from the big city goes to a remote canyon to commit suicide. To reach some calmness he stays at the farmstead of Ascen, an old religious woman. Although only a few words are spoken, love grows.
A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.
Alienated in politically-ambiguous Moscow, young woman deals with severe OCD, while her cousin in Berlin tries to build a romantic relationship ignoring her own condition. In a parallel New York City realm, a heartbroken boxer struggles with addiction, self worth and online anxiety, which connects all the heroes from a universal level.
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