In August 2013 a group of 7 climbers, 5 Americans and 2 Burmese climbers, traveled to northern Myanmar to make a first ascent of Southeast Asia’s disputed highest peak. All told, the climbers traveled over 270 miles on foot through some of the harshest terrain on the planet. As a country that is just recently awaking from over 50 years of military rule and relative isolation, they were offered a glimpse into a culture unaffected by the rapid pace of globalization throughout the rest of world. This film is not just a recounting of a mountaineering expedition, its a film about a country that is on the brink of rapid change, and what this might entail for the future Myanmar and its people.

Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?

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CITIZEN SOLDIER is a dramatic feature film, told from the point of view of a group of Soldiers in the Oklahoma Army National Guard’s 45th Infantry Brigade Combat Team, known since World War II as the “Thunderbirds.” Set in one of the most dangerous parts of Afghanistan at the height of the surge, it is a heart-pounding, heartfelt grunts’ eye-view of the war. A modern day Band of Brothers, Citizen Soldier tells the true story of a group of young Soldiers and their life-changing tour of duty in Afghanistan, offering an excruciatingly personal look into modern warfare, brotherhood, and patriotism. Using real footage from multiple cameras, including helmet cams, these Citizen Soldiers give the audience an intimate view into the chaos and horrors of combat and, in the process, display their bravery and valor under the most hellish of conditions.

In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a great and brave filmmaker, but she is also a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world’s reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion.

A documentary following the legal battles between Phil Demers and Marineland, and exposing the mistreatment of animals in theme parks.

THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

Comedian Kevin Hart performs in front of a crowd of 50,000 people at Philadelphia’s outdoor venue, Lincoln Financial Field.

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Dolores Huerta bucks 1950’s gender conventions by starting the country’s first farm worker’s union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.