Documentary filmmaker Doug Block had every reason to believe his parents’ 54-year marriage was a good one. But when his mother dies unexpectedly and his father swiftly marries his former secretary, he discovers two parents who are far more complex and troubled than he ever imagined. 51 Birch Street is a riveting personal documentary that explores a universal human question: how much about your parents do you really want to know?

Follows several of Cuba’s top drag racers as they struggle to prepare their classic American cars for the first official car race since the Cuban Revolution. It tells a personal, character-driven story that tackles how Cuba’s recent reforms have affected the lives of these racers and their vibrant community.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.

The cameras of Jacques Perrin fly with migratory birds: geese, storks, cranes. The film begins with spring in North America and the migration to the Arctic; the flight is a community event for each species. Once in the Arctic, it’s family time: courtship, nests, eggs, fledglings, and first flight. Chicks must soon fly south. Bad weather, hunters, and pollution take their toll. Then, the cameras go

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Project Blue Book was the catalyst to the modern day UFO cover-up that still exists today. The startling fact is we may be in the same position now as we were then, as it relates to the phenomena. We are still in an age of denial about the magnitude of this phenomenon and what its implications mean for all mankind. Perhaps there are secret factions that have indeed communicated with alien entities and have received technology from them. But from the outside looking in, it appears nothing has changed as the UFOs continue to violate our airspace with impunity; and as before, military factions are powerless against the unknown invaders.

Decades after first performing there with Pink Floyd, singer-guitarist David Gilmour returned in July 2016 for two concerts in the ancient Italian amphitheatre as part of his Rattle That Lock tour.

Documentary about sixteen actors who detail their ups and downs as they struggle to forge careers in Hollywood. They’ve played cops, lawyers, bosses, best friends, psychopaths, politicians and everything in between. Now you’ll know who they are.

The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

In the indigenous communities around the town of Juchitán, the world is not divided simply into males and females. The local Zapotec people have made room for a third category, which they call “muxes” – men who consider themselves women and live in a socially sanctioned limbo between the two genders.

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A Dutch family left Holland to transform a 400 year old monastery into a home, artist’s workshop, and nature preserve. Filmed entirely in remote village in Portugal, Convento bends the rigid structure of documentary filmmaking, blurring the lines of information and surrealism Featuring the renowned kinetic artist Christiaan Zwanikken and his family.