Trudell is a 2005 documentary film about the life of author and American Indian activist John Trudell. The film traces Trudell from his childhood in Omaha, Nebraska, to his role in the American Indian Movement, and finally to his rebirth as a musician and spoken word poet.

The modern criminal justice system is hindered by the fact that countless rape kits remain untested in police evidence storage facilities across the United States. Only eight states currently have laws requiring mandatory testing of rape kits.

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“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.

Unleashing his inquisitive, intense comedic style, Rogan explores everything from raising kids and Santa Claus to pot gummies and talking to dolphins.

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Life Itself recounts the surprising and entertaining life of renowned film critic and social commentator Roger Ebert. The film details his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

What happens when you take a Young Gun, a veteran, some chick and this other guy and drop them off in the middle of the snow-coated Canadian wilderness with a few boards and enough lenses to make even Marilyn Monroe blush? We wanted to find out. And so we did all that. Then we made Depth Perception. The film invites you to join Austen Sweetin, Travis Rice, Robin Van Gyn and Bryan Fox on an expedition. It’n to learn about nature. An expedition to ride some of the best backcountry on the planet. And, occasionally, an expedition to violently fall down a mountain to the peaceful hum of a violin. Mmm. Yeah. Depth Perception is somehow as earnest as it is tongue-in-cheek.

Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse query a global roster of more than 60 horror writers, directors and scholars that include Eli Roth, Joe Dante, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Peter Strickland in a candid discussion of the very best portmanteaus in fright film/TV history. The film leads us from the very first examples of the anthology film in early cinema, right up to the present day – without forgetting of course the endearing impact that the likes of Vincent Price and Peter Cushing had in creating some of the most memorable classic films ever made.