A famous playwright’s life is turned upside down when she is forced to look at the choices she has made.

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A young woman returns home and must confront her ex-boyfriend when an unexpected tragedy occurs.

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The movie follows the rise and fall of a con man — a story that begins and ends at a seedy travelling carnival. Stanton Carlisle (Tyrone Power) joins the carnival, working with “Mademoiselle Zeena” (Joan Blondell) and her alcoholic husband, Pete (Ian Keith).

Vivica A. Fox sizzles as a woman scorned who plans to get her man back by any means necessary. In this comedy about players and those who “get played.” As corporate overachiever and all-around fly chick Shanté Smith, Fox thinks she’s got the goods to keep her slickster boyfriend (Morris Chestnut) from straying – until he discovers a greener pasture, Shanté’s archrival (Gabrielle Union)

There is a magic, bohemian place where people go at night to hear erotic tales. A Madame introduces each client to a lady or gentleman, who will take them deep into a world of evocative recitation. Words flow gently as desire smoothly invades every inch and every crevice. The narrators will take you on a journey through four tales which will lead you to discover new feelings and places full of lust. List of tales: The Two Alexes, My Mother, In Wonderland, Wet sheets.

American GI’s must retake a barren hill in Korea that has been overrun by Red Chinese troops. The ensuing battle becomes a meat grinder for American and Chinese alike.

Officer Carey Mahoney and his cohorts have finally graduated from the Police Academy and are about to hit the streets on their first assignment. Question is, are they ready to do battle with a band of graffiti-tagging terrorists? Time will tell, but don’t sell short this cheerful band of doltish boys in blue.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

The world is full of fascination and obsessions. Different people have different desires and goals in life. For some its power, for some its money, for some its someone and for some its plain crazy love.The real question is that to what level can one rise or fall for his/her dream or aspirations. Mirza Juuliet is the story of such strong emotions like love, hatred, lust, trust, friendship, deceit, manipulation and above all a mixed confusion of all these emotions.

A down-on-her-luck young woman who falls into a job as a personal assistant to a star quarterback sidelined with an injury. He’s never had a female assistant before and she knows nothing about football.