Rudolf, a black stray cat, is suddenly separated from his beloved master. He unexpectedly wakes up in a long-distance truck that takes him to metropolis Tokyo. There, he meets Ippai-attena, a big boss cat feared by everyone in town. Unable to return home, Rudolf starts a life as a stray with Ippai-attena, but Ippai-attena isn’t all that he seems to be.

After a series of disturbing supernatural events in his home, Joel a young single father, comes to suspect that his young son may be possessed. Soon Joel receives a visit from Father Lambert, a controversial exorcist in town whose last patient died during his treatment. As increasing chilling occurrences begin to unfold, the priest informs a resistant Joel that unless he can successfully perform an exorcism, the devil will soon take full control of his boy.

After a terrible car accident, Sedat will do anything to save a childhood friend – even if it means dealing with demons and ghosts.

“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.

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Constantly mistreated by her cruel, alcoholic husband Chun-yu (Wang Jung), frail Chan Sau-ying (Tanny Tien Ni) awaits certain death from tuberculosis. New servant girl Yi-wah (Chen Szu-chia) takes pity on her mistress’ plight but, after suffering Chun-yu’s abuse once too often, the pair proceed to drown him one evening. They dump his body in a near-by pond but Sau-ying believes that the man’s bloated corpse has risen from the bog to seek vengeance. Yi-wah dismisses her claims as the delusions brought about by guilt and her illness but it appears that the house is indeed being haunted by a corpse that will not be easily appeased.

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A group of toymakers seek to use Andre Toulon’s formula, now in the hands of Toulon’s great-nephew Robert, to give life to a line of killer toys that they plan to unleash on Christmas Eve.

Civilization has been destroyed by war and pollution, but the survivors have built the last city of Ecoban. As most natural resources have been exhausted, Ecoban is powered by pollution. The citizens of Ecoban need to continue creating this pollution leading them into conflict with the inhabitants of Marr while one man just wants to clear away the clouds and see the sky.

Inquisitive journalist Grace Collier is horrified when she witnesses her neighbor, fashion model Danielle Breton, violently murder a man. Panicking, she calls the police. But when the detective arrives at the scene and finds nothing amiss, Grace is forced to take matters into her own hands. Her first move is to recruit private investigator Joseph Larch, who helps her to uncover a secret about Danielle’s past that has them both seeing double.

A young car learns the importance of family when he embarks on a mission to rescue his father who’s been sent to Clunker Island to be re-purposed as junk metal.

An ambitious anthology film featuring segments directed by over two dozen of the world’s leading talents in contemporary genre film. Inspired by children’s educational ABC books, the motion picture is comprised of 26 individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death. Provocative, shocking, funny and ultimately confrontational; THE ABC’s OF DEATH is the definitive snapshot of the diversity of modern horror.