Timely and wise, this feature documentary explores the state of prostitution laws in Canada. Buying Sex captures the complexity of the issue by listening to the frequently conflicting voices of sex workers, policy-makers, lawyers and even the male buyers who make their claim for why prostitution is good for society. Examining the realities in Sweden and New Zealand, and respecting the differences of ideology as Canada works its way toward an uneasy consensus, the film challenges us to think for ourselves and offers a gripping and invaluable account of just what is at stake for all of us.

This compelling Emmy Award winning documentary shows the dirty side of hydraulic fracturing and natural gas, an energy source the industry touts as a clean alternative to fossil fuels.

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Stock car racing is one of America’s most popular sports with more than 75 million fans nationwide, and growing. For many racers, the winning values of team, family and faith inspire them on and off the track. Featuring never-before-seen interviews with some of the sport’s most popular personalities – including Danica Patrick, Juan Pablo Montoya, Jamie McMurray and Chip Ganassi – Race for Glory is an in-depth look at the sport’s road to victory!

Brothers Colin and Ewan McGregor follow up their documentary The Battle of Britain with a film exploring Bomber Command, a rarely told story from the Second World War. The film focuses primarily on the men who fought and died in the skies above occupied Europe, with numerous examples of individual heroism and extraordinary collective spirit, and Colin learns to fly the key aircraft of the campaign: the Lancaster bomber. But this is also the story of a controversy that has lasted almost 70 years. The program covers six years of wartime operations, and traces the obstacles and challenges that were overcome as the RAF developed and deployed the awesome fighting force that was Bomber Command.

This one-off stand-up special is a performance of Simon Amstell’s stand-up show, ‘Numb’, which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it’s a stripped-down, intimate performance, with no set and minimal lighting – a painfully raw, honest and deeply funny exploration of disconnection and loneliness.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

Using engaging interviews and arresting visuals, this documentary investigates the case for milk as a nutritious food. Is milk good for us or not?

Anita, Rita, Ricardo and Andrés have been attending a school for children with Down syndrome for 40 years. After all this time, they are starting to tire of this safe, familiar environment. Now over 45 years old, some of them feel that working in the school bakery is no longer a challenge. They also yearn for freedom on a more personal level. Anita and Andrés are in love but still live with their families. They dream of finding a quiet place to be alone together, and they want to get married and raise a family. Sadly, the society they live in is not equipped to cater to their desire for more independence. In spite of the training they receive on becoming “responsible adults,” all four of them remain dependent on others to make decisions for them, much to their frustration.

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Join Apollo 11 on its historic journey. The film seamlessly blends mission audio featuring conversations among Neil Armstrong, Buzz Aldrin and Michael Collins with new footage, NASA archive and stunning CGI to recreate the first moon landing.

Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.