The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple — lovers turned friends — recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Rez lost his wife sometime in the past, now he is a man abandoned by society, trying to survive, and provide for his daughter. He possesses a gift: the perfect photographic memory, but having perfect recall isn’t all it’s cracked up to be. He finds himself involved with dangerous people from his past who persuade him into testing their stolen time machine “Titus” that has the ability to send someone hours into the future. When he leaps forward in time and witnesses a nuclear explosion, he returns to his own time and has only eight hours to discover the cause and save the city from destruction.

Considered one of Charlie Chaplin’s best films, The Kid also made a star of little Jackie Coogan, who plays a boy cared for by The Tramp when he’s abandoned by his mother, Edna. Later, Edna has a change of heart and aches to be reunited with her son. When she finds him and wrests him from The Tramp, it makes for what turns out be one of the most heart-wrenching scenes ever included in a comedy.

Hildy, the journalist former wife of newspaper editor Walter Burns, visits his office to inform him that she’s engaged and will be getting remarried the next day. Walter can’t let that happen and frames the fiancé, Bruce Baldwin, for one thing after another, to keep him temporarily held in prison, while trying to steer Hildy into returning to her old job as his employee.

A journey into uncharted and forbidden territory through three tales tangled in space and time.

Sport and politics most definitely do mix in this gripping look back at a brutal and turbulent time for New Zealand rugby, told from the point of view of the players themselves including David Kirk and Buck Shelford.

Sona da with Aabir and Jhinuk embarks on his new adventure, a quest that will take them to the legendary Durgeshgor. The journey reveals that the Debroy family, the erstwhile zamindars in their princely mansion hold the key to a presumed rumour of a treasure connected with Plassey. With an amazing vibrant backdrop of Durga Puja in the princely Debroy mansion where the trio is invited for the occasion, one after the other clues is revealed testing Sona da`s wit and grit one more time leading towards the discovery of one of greatest treasures Bengal has ever witnessed.

When Charlie and her girlfriend Cerina decide to have a baby together, the idea of using Cerina’s ex-boyfriend Josh as the live-in donor turns an easy on-paper idea into a much more challenging event.

After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie’s partner and the rackets flourish until love and rivalry interfere.

A 30-something man between relationships must move quick when an exciting new woman enters his life.

Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.

A young officer returns to his base after a daring mission. The cook’s assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned – the officer, now a retired general, is on his death bed in the hospital. His son who, to his father’s horror, has found religion, is in a race against time. Before his father dies, he has to find that cook’s assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn’t, his father will go to hell.