Ederlezi Rising is an exciting science fiction romance set in near future about the pioneering space mission to Alpha Centauri undertaken by the multinational Ederlezi Corporation. Ederlezi recruits MIlutin a Slav cosmonaut trained in the newly reformed futuristic Soviet Union and accompanies him with Nimani, a female android programmed to fulfill whatever he desires.

A family believes they are aliens from other planets and tries to save Earth from impending calamity.

Dracula conspires with a mad doctor to resurrect the Frankenstein Monster.

The daughter of a billionaire tech mogul questions her own memories about her mothers death after being kidnapped by a stranger.

Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless “life”, Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.

In a future where most humans have moved underground to escape the pollution, one of the few pleasures left is a kind of narcotic in the form of chips which can be plugged directly into the brain. Lori, a female body guard steals a case of such chips and flees underground Los Angeles with Danner, a pleasure android so that they can smuggle the chips to New York. In pursuit is Plughead, a dangerous criminal so named because of the many sockets and ports which decorate his scalp so that he can test and use the chips that he is after.

A delirious sci-fi riff on the Arabian Nights’ ‘Tale of the Hunchback’, that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to ‘relax’ at company-run medieval reenactments.

This Italian-Turkish co-production helmed by genre veteran Antonio Margheriti (using the pseudonym “Anthony M. Dawson”) was cobbled together from a four-part science-fiction miniseries shown on Italian television. In prehistoric times, the muscular Yor (Reb Brown in a loincloth) saves his cave-babe (Corinne Clery) from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland. Genre stalwart John Steiner (Caligole) and the ubiquitous Luciano Pigozzi co-star with Carol Andre.

After two archaeologists discover an ancient alien artifact in Africa, they must run for their lives from both the unstoppable guardian and protector that awakens as a result, and their greedy, madman employer, both of whom want the artifact.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Princess Blair Williams’ erotic vacation is rudely interrupted when a renegade alien force, led by her arch enemy Aria (Erika Jordan), attacks Pleasure Planet. A quick escape lands her in even more hot water as the Princess and her busty bodyguard crash land on Earth in this steamy sci-fi sex comedy.

Alex’s dreary life is reignited when he meets Rachel, the woman of his dreams. The only thing that stands in the way of their perfect, serendipitous relationship is that Rachel has recently passed away.