A film inspired by the life and work of Nelly Arcan. The portrait of a fragmented woman, lost between irreconcilable identities: writer, lover, call girl and star. Several women in one, navigating between great exaltation and great disenchantment. A film mirror of a violent life and a radical work; a tribute to a dense writing, chilling and necessary.

The story of a dangerous little girl who is reunited with her natural mother after living with her controlling grandparents in a rural farmhouse in seclusion.

Salvatore Sebergandio presents aged mafia Hit-Man, (Robert Woods), who is sent to Los Angeles’s San Fernando Valley to hang low after a major job, but while in L.A., the Hit Man gets involved with a Witch (Shannah Laumeister Stern) and two Mafia brothers, (Marco and Marcello Cacioppo) who live in a world that blurs reality with fantasy; all for power and wealth; as members of a Hollywood cult are eliminated.

Skidding into middle-age, a stay-at-home dad must drive for an Uber-like rideshare company (DriverX) to help support his working wife and two young daughters. But low pay and wild LA nights put an even greater strain on his marriage.

In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), legendary filmmaker Werner Herzog achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.

Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o’clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.

Chantilly Bridge reunites a group of lifelong, steadfast friends who are still – in their later years — chasing their dreams, fighting injustices, and sticking up for their convictions. The women lay bare their lives and deal with important issues that impact all women with humor, humility, humanity, and love. No topic escapes the razor-like wit and insight of these women: equality, sex, menopause, mortality, feminism, parenthood, careers, love, and even “me-too” moments.

An outcast’s relationship with her new summer friend is put to the test when the school year begins.

Based on Vocaloid songs from “Kokuhaku Jikko Iinkai ~Renai Series~” by HoneyWorks, the movie is the second film based on the songs, following Tetsuya Yanagisawa’s previous anime, “I Want to Let You Know That I Love You”.

This experimental satire is a comedy of ideas about an alien in the city, who asks questions that no one has asked before. They are innocent, child-like questions, but they bring about catastrophic answers. People who are set in their ways for generations, are forced to reappraise their world when they see it from PK’s innocent eyes. In the process PK makes loyal friends and powerful foes, mends broken lives and angers the establishment. PK’s childlike curiosity transforms into a spiritual odyssey for him and millions of others. This offbeat, experimental drama is an ambitious and uniquely original exploration of complex philosophies. It is also a simple and humane tale of love, laughter and letting-go. Finally, it is a moving saga about a friendship between strangers from worlds apart.

A beleaguered small-business owner gets a harmonium and embarks on a romantic journey with a mysterious woman.

Nat Turner, a former slave in America, leads a liberation movement in 1831 to free African-Americans in Virgina that results in a violent retaliation from whites.