Spenser — an ex-cop better known for making trouble than solving it — just got out of prison and is leaving Boston for good. But first he gets roped into helping his old boxing coach and mentor Henry, with a promising amateur. That’s Hawk, a brash, no-nonsense MMA fighter convinced he’ll be a tougher opponent than Spenser ever was. When two of Spenser’s former colleagues turn up murdered, he recruits Hawk and his foul-mouthed ex-girlfriend Cissy, to help him investigate and bring the culprits to justice.

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors — veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie — unravel.

Brought together by music, two high school girls, Samantha and Taylor, begin a secret romantic affair. But when Taylor?s mom corners the girls, Taylor seems unwilling to protect the relationship, leaving Samantha to decide if it is worth her heartache to preserve it as she leaves for college.

With friends like these, who needs enemies? That’s the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead — or so they think. Five months and an endless reservoir of bitterness later, Porter’s partners and the crooked cops on his tail learn how bad payback can be.

The mafia’s Paul Vitti is back in prison and will need some serious counseling when he gets out. Naturally, he returns to his analyst Dr. Ben Sobel for help and finds that Sobel needs some serious help himself as he has inherited the family practice, as well as an excess stock of stress.

School girl Annabel is hassled by her mother, and Mrs. Andrews is annoyed with her daughter, Annabel. They both think that the other has an easy life. On a normal Friday morning, both complain about each other and wish they could have the easy life of their daughter/mother for just one day and their wishes come true as a bit of magic puts Annabel in Mrs. Andrews’ body and vice versa. They both have a Freaky Friday.

Not Available

Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.

J.R. is a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie, is the sharpest and most colorful of an assortment of quirky and demonstrative father figures. As the boy’s determined mother struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams, with one foot persistently placed in Uncle Charlie’s bar.

Noboru is a high school student who isn’t popular at all. He looks up to senior student Miyazaki who is one of the most popular guys at school. Miyazaki has two girlfriends: Momose and Tetsuko. Momose and Tetsuko have totally different personalities. Momose is bright and Tetsuko is a popular student from a wealthy family. One day, Miyazaki is caught with Momose. To keep his relationship with Tetsuko, Miyazaki asks Noboru and Momose to pretend they are dating. They both agree due to their affections for Miyazaki. Noboru and Momose begin to act like a couple in front others and soon Noboru begins to develop feelings for Momose, who is still in love with Miyazaki.

Three sailors – Gabey, Chip and Ozzie – let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for “Miss Turnstiles of the Month” (he thinks she’s a high society deb when she’s really a ‘cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he’s the perfect example of a “prehistoric man”. Wonderful music and terrific shots of New York at its best.

Exclamation Mark Question Point is the debut special from Andy Peters. More bootleg than traditional special, Andy recorded only one show, one night at The Virgil in Los Angeles. The special features a bouncy mix of Andy’s dive-in-head-first approach to comedy. With The Virgil’s intimate space as a backdrop, Andy litters the show with playful self-deprecating bits, a healthy dose of “screaming at strangers” and a nonstop stream of riffs.