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“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.
After serving in the Iraq War, a father grapples with PTSD and struggles to come to terms with the horrors he has witnessed.
A dangerous man awakes in the care of a mysterious woman. Once the pieces of his past fall into place, he’s faced withe the stark choice of accepting his new found love or becoming the man he once was.
In the isolation of the Catskill Mountains, a relationship retreat pushes two Brooklyn couples through a weekend of exercises that force them out of their calcified comfort zones. Removed from the routine distractions of city life and engaging in honest communication for the first time, they have the chance to rebuild their partnerships – or leave them behind.
What happens when a person decides that life is merely a state of mind? If you’re Betty, a small-town waitress and soap opera fan from Fair Oaks, Kansas, you refuse to believe that you can’t be with the love of your life just because he doesn’t really exist. After all, life is no excuse for not living. Traumatized by a savage event, Betty enters into a fugue state that allows — even encourages — her to keep functioning… in a kind of alternate reality.
After fifteen years of marriage, an affluent couple divorce and take up with new partners.
With all of his friends headed to a party on the last night of 1999, Austin takes an extra shift at the Quality Mart gas station and is forced to look down the barrel of what it means to graduate high school and face a future stuck in his middle of nowhere hometown. He’s got one night to make his dreams come true, legal or not, and he’s taking it.
Tom Ripley is a calculating young man who believes it’s better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
Libaraiers “Rilla” Stanford, has just been released from prison and finds that his immediate world has changed, knowing that the dangers of the streets remain the same, his only mission is to take care of his 6yr old son, Kevin.
When Sam learns his mother cannot afford to send him to another school after he is kicked out, he and his friends start their own escort service for mature women to pay for his tuition.
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