Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.
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A man tries to kill himself in a motel room.
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so called “Spider Killer”, who believes he is cleansing the streets of sinners.
Dr. Bill Cortner (Jason Evers) and his fiancée, Jan Compton (Virginia Leith), are driving to his lab when they get into a horrible car accident. Compton is decapitated. But Cortner is not fazed by this seemingly insurmountable hurdle. His expertise is in transplants, and he is excited to perform the first head transplant. Keeping Compton’s head alive in his lab, Cortner plans the groundbreaking yet unorthodox surgery. First, however, he needs a body.
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.
The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.
A man’s best friend is killed on the streets of New York. The man (Robert Ginty) then transforms into a violent killer, turning New York into a great war zone and Christopher George is the only one to stop him.
A secret organisation offers wealthy people a second chance at life. The customer picks out someone they want to be and the organisation surgically alters the customer to look like the intended person, stages the customer’s death, gets rid of the intended person and the customer takes on a new life.
Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation.
Spoiled socialite will learn a lesson after her father asks her to work in a family homeless center.
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