A mother strives to shield her young family from their new reality when their landlord sells the property and renders them homeless.
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“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.
In a high-rise apartment young parents Alex and Mahsa live with their seven-year-old daughter Mina. Everything about the family is completely normal, uncomfortably real: Their home, their jobs, her school, the way they hold and love each other. The line between fact and fiction is blurred because THEY ARE A REAL family. Until completely normal turns into what they fear the most. Alex’s injury opens the door to a malevolent force that attacks and dismantles the family one person at a time: A violent aggressor determined to prove that possession is real, unconscionably disturbing and very different from how it’s depicted in the movies.
In the late 19th century, Paula Alquist is studying music in Italy, but ends up abandoning her classes because she’s fallen in love with the gallant Gregory Anton. The couple marries and moves to England to live in a home inherited by Paula from her aunt, herself a famous singer, who was mysteriously murdered in the house ten years before. Though Paula is certain that she sees the house’s gaslights dim every evening and that there are strange noises coming from the attic, Gregory convinces Paula that she’s imagining things. Meanwhile, a Scotland Yard inspector, Brian Cameron, becomes sympathetic to Paula’s plight.
An ethical Baltimore defense lawyer disgusted with rampant legal corruption is asked to defend a judge he despises in a rape trial. But if he doesn’t do it, the judge will have him disbarred.
Drew Baylor is fired after causing his shoe company to lose hundreds of millions of dollars. To make matters worse, he’s also dumped by his girlfriend. On the verge of ending it all, Drew gets a new lease on life when he returns to his family’s small Kentucky hometown after his father dies. Along the way, he meets a flight attendant with whom he falls in love.
Judith, an uptight divorcee, is appalled when her daughter Lily quits law school to move into a commune of hippie-misfits who live according to the behavioural principles of the bonobo monkey, a species famous for its ‘make love not war’ philosophy.
Seven couples are at turning points, trying to navigate their relationships and careers one moment at a time. THIS TIME, MAYBE is a sometimes thought-provoking, sometimes comedic, and always relatable story about how we share and change and love.
The women in a Seattle serial killer’s life often had an unpleasant way of turning up dead – from his girlfriend to his mother-in-law to his second wife. The police and FBI knew who the killer was, but were never prepared to face a bizarre twist in the case-that his own mother was an employee of the Seattle Police Department with access to confidential documents–and was a woman who didn’t hesitate to interfere with justice…
Toss lives on a sheep farm with her father in New Zealand. When Toss’s father dies in an accident, Ethan, an itinerant hunter, wanders onto the family farm and is given a job by her grandfather. Toss’s fairly innocent relationship with Ethan is severed when he forms a relationship with her mother.
Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.
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