The debut film from pop singer turned film director Mike Sarne (Joanna; Myra Breckinridge) is an ‘anti-travelogue’ starring Udo Kier, Melissa Stribling, and Gabriella Lucidi. The stylishly shot film tells of a woman who has a brief amorous liaison while on a trip along the South of France to Saint Tropez, but returns disillusioned.
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Co-pilot Kazuhiro (Tanabe Seiichi) is up for promotion, but before he can get his captain’s wings he has to get through a flight evaluation, and things aren’t exactly going his way. He just crashed and burned on a simulated flight test, and his friendly examiner has been replaced with the tough-as-nails Harada (Tokito Saburo). On the same plane is cabin attendant Etsuko (Ayase Haruka) who’s flying her first international flight and trying hard to not mess up. Elsewhere in the Happy Flight universe, staff are bustling back and forth with various problems and gripes – all to make this ordinary yet fateful flight a safe and happy one.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
Commentator-comic Bill Maher plays devil’s advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ’s existence, Jewish Sabbath laws, violent Muslim extremists.
A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.
A suburban mom relives her season with the soccer obsessed sports parents whose outrageous “win at all costs” behavior spirals out of control.
A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save her virginity for marriage.
“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.
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