Harry (Brian Petsos) is having a very, very bad day. He returns home from an all-night drinking binge with his cousin Cecil (Oscar Issac), to discover that his little dog Jolly…Harry’s one true love and the source of light in his dark, solitary life-has been murdered. Brokenhearted and beyond consolation, he vows to track down the dog’s murderer at any cost. Armed with a stockpile of firepower in the trunk of his car, he and Cecil embark on a frenzied, alcohol-fueled wild-goose chase, leaving a bloody path of destruction in their wake.
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Alone on a tiny deserted island, Hank has given up all hope of ever making it home again. But one day everything changes when a dead body washes ashore, and he soon realizes it may be his last opportunity to escape certain death. Armed with his new “friend” and an unusual bag of tricks, the duo go on an epic adventure to bring Hank back to the woman of his dreams.
Fearful that their star witness might be murdered, two attorneys hire a protector to bring him from Los Angeles to New York. Jesse Crowder (Fred Williamson) is a no-nonsense tough guy. He buddies up with the witness, an accountant, and they hit the road. Outwitting their foes means taking all manner of conveyance, including automobile, train, and airplane.
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke’s heir and will inherit his estates. The Count has kept secret the existence of the Duke’s bastard, recently born. When the Duke learns of his child, he journeys to wed the mother, a baron’s daughter, in her father’s isolated chateau. The occupants of the castle are surprised and murdered by the Count and his men. The only ones to escape are the Duke’s friend, the skilled swordsman Lagardère, and the infant, a girl, now the rightful heiress to the Duke’s vast fortune. The Count believes the pair to have drowned, when in fact they have been concealed by a travelling troupe of Italian players. Twenty years pass. The Count has discovered that the two survive and seeks to have them slain. But Lagardère gains the confidence of the Count, and employment as his bookkeeper, through his clever disguise as a hunch-back…
When a city-bred girl comes home to her village, she falls for the macho village boy and asks him out. As a passionate romance brews, the guy falls madly in love with her, but does she feel the same way? Or is it just a passionate summer fling?
Orlando is dying. Resigned to his fate, all he wants is to be left alone with his alcohol, drugs, and hermit crab. But his hopes of solitude are shattered when he is woken by Jean-Luc, an incessantly chatty Frenchman who happens to be a voice in his head. Now, in addition to cancer, Orlando must deal with Jean-Luc’s never-ending questions and commentary, as well as the discovery that Jean-Luc is slowly taking over every sense of his body (sight, hearing, taste, smell, touch).
An affair between the second in line to Britain’s throne (Franco) and the princess of the feuding Irish (Myles) spells doom for the young lovers.
The Narrator (Woody Allen) tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year’s Eve 1944, this coming-of-age tale mixes the narrator’s experiences with contemporary anecdotes and urban legends of the radio stars.
A haunting and nightmarish tale that tells the story of Selah, a young girl born into a repressive cult known as the Flock. The members of the Flock – all women and female children– live in a rural compound, and are led by one man, known only as Shepherd. Selah, a daughter who is on the cusp of teenage-hood, is given the great honor of participating in the sacred ritual of the birthing of the lambs – upon which they depend for survival – where she has a shocking and otherworldly experience. She begins to have strange visions that make her question her own reality, and everything the Shepherd has taught her and her sisters.
More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.
A comedy about a zookeeper who might be great with animals, but he doesn’t know anything about the birds and the bees. The man can’t find love, so he decides to quit his job at the zoo, but his animal friends try to stop him and teach him that Mother Nature knows best when it comes to love.
While traveling in Paris, author Henry Miller and his wife, June, meet Anais Nin, and sexual sparks fly as Nin starts an affair with the openly bisexual June. When June is forced to return to the U.S., she gives Nin her blessing to sleep with her husband. Then, when June returns to France, an unexpected, and sometimes contentious, threesome forms.
Surgeon Simon Thorne suffers from paranoia, obsessions and hallucinations, and loses both his wife and his job. But then he meets a couple from one of his dreams where they kill him. So he has to kill them first.
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