The discovery of a corpse threatens to unravel a bumbling local politician’s campaign for governor of Colorado.

Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana (Elena Anaya) tricks her fresh-from-prison sister, Aurora (Ariadna Gil), and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.

A group attending a sex party wake up naked in the snow. In the nearby cabin they find a dead girl and a message: In order to survive, they must decide who is responsible for the girl’s death and murder that person accordingly.

“Laura Smiles” is an alarmingly effective portrait of a woman’s mental breakdown. We are introduced to “Laura” at her happiest time, in a warm, loving relationship with her fiancé (a very appealing Kip Pardue) in the city, literally the love of her life. In flashbacks, we then see the sweet development of this relationship out of order as these moments become brightly lit and colored memories that desperately intrude on her later in life, as she becomes consumed with guilt and remorse over his fate. These feelings start to overwhelm her current life as a wife and mother. As something inconsequential in what she calls her “suburban drudgery” triggers the past — in the supermarket, cooking, cleaning, at a school play– she acts out increasingly aberrantly to counteract the feelings they generate, especially when she can no longer distinguish past from present from dreams, recalling Blanche Du Bois.

Vikram is a happy-go-lucky management student from a top Business School of India. He becomes an overnight sensation after a successful internet campaign against the radical fundamentalism of moral policing in India. This prompts his university teacher – Professor Ranjan Batki, to throw him a challenge for yet another internet campaign that would help raise money via a non-profit Pottery Club for poor people living in Maoists areas of India. Little does Vikram know that he is about to become a part of a plot that would risk his life and the nation. He gets entangled between two corrupt facets of India – Socialism and Capitalism, both of which are deeply rooted in India. It’s a story inspired from true life incidents of Underbelly India.

A troubled method actor gets carried away with his work on a role, playing a butcher.

A former boy band star unexpectedly gets a second shot at success when he forms a bond with a gifted young drummer.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

In 1949 composer Roman Strauss is executed for the vicious murder of his wife Margaret with a pair of scissors. In 1990s Los Angeles a mute amnesiac woman shows up at an orphanage and private eye Mike Church is called in to investigate. Under hypnosis both the woman and Church seem to have a strange link back to the Strauss murder.

A woman becomes increasingly aware of her fractured past as a corrupt organization closes in.

A bigoted junkie cop suffering from bipolar disorder and drug addiction manipulates and hallucinates his way through the festive season in a bid to secure promotion and win back his wife and daughter.

Raquel is desperate: a series of unfortunate events have led to her daughter being taken and she needs a large amount of money to get her back, and fast. After a desperate plea to the bank, she manages to secure the loan she needs. The problem is that precisely at that moment, a peculiar couple of robbers enter the branch: the drug-addicted Jonan and his partner Lola, who is a deadly combination of smart and psychotic. But Raquel’s stakes are too high, and she knows she must think carefully to outsmart them, save herself and get her money.