A 14 year old boy, struggling with gender identity and religion, begins to use fantasy to escape his life in the inner city and find his passion in the process.

A sharp-witted comedy that follows a group of apparent strangers in interlocking stories taking place in ten different bars during the course of one evening throughout Los Angeles.

The Inkwell is about a 16-year-old boy coming of age on Martha’s Vineyard in the summer of 1976.

WWE Superstar Mike “The Miz” Mizanin returns as Jake Carter where he is assigned to protect a whistleblower who wishes to expose a corrupt military defence contractor. However, the military hires a heavily armed team of mercenaries to kill her and it’s up to Carter to stop them at any cost.

This chilling fable about the rise of fascism in the 20th Century tells the story of a young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles. What he witnesses helps to mold his beliefs – and we witness the birth of a terrifying ego.

A young woman finds herself involved in a dangerous love triangle when she gets involved with the writer of a popular steamy novel.

A powerful and emotional coming of age story, this remarkable tale is told with honesty and originality that will leave audiences moved. In the film, two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a take on friendship and young love as engaging and true as it is provocative and stirring.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, Anna Muylaert turns her eye on the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

A quirky coming of age story about an 11-year-old boy named Redwood who dreams that if he can beat Jack Nicklaus at the 1975 Master’s of golf he’ll reunite his parents.

Max and Avery go on their first date after meeting on a social media app. Their evening takes a perilous turn when they end up at a local haunted house, the home of ‘Rotcreep’, a sinister creature that rots your body and soul with one touch.