This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft – even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as “the hidden gem of the year”. It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.

A retired academic teacher tries to find his youth love after to learn he has diagnosed with Alzheimer.

Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives. Along the way, both women rediscover the strength of their friendship and surprising aspects of their personalities and self-strengths in the trying times.

After participating in a brawl that left his father dead and his rival nearly dead, a young man decides to stay away from violence and leaves his village with hopes of ending the ages-old feud.

Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord’s soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.

This collection of five short films artfully portrays desire’s ability to both empower and destroy those who encounter it. In “The Summer House,” sultry teen Jane (Talulah Riley) is courted by a former beau, Richard (Robert Pattinson), during the chaotic summer of 1969. Other tales revolve around a waitress (Amy Adams) desperate to rescue her young daughter, and a techie (James Franco) who uses gadgets to keep emotions at bay.

A dissatisfied 20-something seeks life and relationship advice from a retirement-home playboy, with mixed results.

A head chef balances multiple personal and professional crises at a popular restaurant in London.

This is a story about a romantic journey of a culturally opposite couple – Krish Malhotra and Ananya Swaminathan. They meet at the IIM-Ahmedabad College and during the program they fall in love. Complications arise after the program comes to an end and they decide to get married. Krish and Ananya belong to two different states of India. Krish, a North Indian Punjabi boy from Delhi, and Ananya, a Tamilian Brahmin from Chennai. They take a conscious decision; they won’t get married until their parents agree. Everything goes downhill when the parents meet. There is a cultural clash and the parents oppose the wedding. To convert their love story into a love marriage, the couple faces a tough battle in front of them. For it is easy to fight and rebel, but much harder to convince. Will Krish and Ananya’s love for each other sustain the battles? Will they manage to convince their parents and make it to their wedding? The film thus is a humorous take on inter community marriages in India.

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When Sam, the designer behind a popular home renovation show, returns to her hometown during the holidays to help renovate the Bell Harbor Inn, she gets paired with Coop as her lead contractor. The only problem — he’s the guy who broke her heart and she’s the one who got away. Sparks fly as they work closely to get the renovations done in time for the inn’s annual Christmas Eve Harborfest.

Upon hearing of his mentor’s impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as “the territory”. Kino believes wholeheartedly that the mentor cannot die until he arrives. On his journey, Kino is unaware several people are on his tail – varyingly malicious and politically involved – in search of the only-known recording of the greatest piece of music ever made, a piece supposedly capable of taking away all pain within the listener – created by his mentor, and in his possession, completely unbeknownst to him.