School is out, and three girls head to the beach for vacation. Two of the girls are world-wise party-goers who attempt to loosen up their naive, virginal friend, whose uncle has allowed the girls to stay at his beach house. When the near-sighted, drug smuggling Captain Bly dumps his cargo of marijuana, the bales wash up on shore. The two party girls, Ginger and Ducky, quickly stuff the dope into giant bags and spirit it back to the beach house, where it fuels a party with assorted misfits, delivery persons, and passersby.

Left brain and right brain duke it out and then belt out a tune in comedian Bo Burnham’s quick and clever one-man show. As intelligent as he is lanky, Burnham cynically pokes at pop entertainment while offering unadulterated showmanship of his own.

Rob Beckett is back – the Mouth of the South has had a busy few years and now returns to tour to fill audiences in.

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the “one great idea” for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night .

Lucy begins to realize she is not like the other teens in school.

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This ifilm is a new documentary that explores the controversial use of marijuana and the evolution of mainstream society. From a dangerous narcotic, listed as a Schedule 1 Drug substance since the 1970s, to the rush to decriminalize it today. What has changed and why? What will the cannabis industry look like in five years? Will it retain its integrity as a homegrown industry or be co-opted by Big Business? Experts, growers, celebrities and politicians weigh in on the future of Cannabusiness

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It’s the Fourth of July in Los Angeles, and Jamie, a broke illustrator who is behind on his rent, tries to throw a cookout while his overbearing roommate is out of town, but everything seems to go wrong.

A subversive love story between clashing cultures and families, KISS ME BEFORE IT BLOWS UP is a romantic misadventure crossing all borders. When two generations of Israeli women fall for a German woman and an Palestinian man, chaos follows. What happens with lovers who don’t fit but do belong together?

A VHS collector with a drinking problem finds a valuable movie that could save his terrible economical situation. The film disappears. He suspects it is stolen and starts a hunt after a perpetrator.

32-year-old Tatsuo Fukuda, nickname “Fuku-chan” (Miyuki Oshima), is a painter who lives in a run-down apartment complex called Fukufuku Flats. He has been a resident ever since he moved to Tokyo after graduating from junior high school in rural Tochigi Prefecture, and has held the same job the whole time. He spends his days working up a sweat painting buildings, his nights mediating disputes between the other denizens of Fukufuku Flats, and his days off flying handmade kites down by the riverside. Fuku-chan is a popular guy who treats everyone equally and with kindness, but romance is his Achilles heel, which causes him to totally mess up a date arranged by his workmate Shimacchi (Yoshiyoshi Arakawa)…