Not being able to stand his drunken father and stepmother any longer, Tsog runs away from home and hides on the roof of an apartment building in the city. One day, he is mesmerized by Anu, a beautiful woman who lives on the top floor of the apartment building across from him. He buys a remote control to start watching her TV, and it makes the physical space between Tsog and Anu disappear. Well, at least it does in Tsog’s imagination. He comes to think about what the world would be like if he could change it with the touch of a button. The difference between ideals and reality is also seen through Tsog and Anu’s dream of flying and fear of heights. And Anu’s belief that she could overcome her fear if only she had someone to fly with runs an interesting parallel with Tsog’s loneliness from being estranged from his family.

In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.

Pianist David Helfgott, driven by his father and teachers, has a breakdown. Years later he returns to the piano, to popular if not critical acclaim.

Pop superstar Adelaide Kay is so fed up with her controlling manager that she sneaks off the tour bus after their latest squabble. Though exhilarated to be free, she finds herself stranded in the freezing cold of a Pennsylvania winter, with no money and no plan. A local family, the Lapps, take her in. They know the true meaning of the season, even if they’re close to losing their dairy farm. No one in the family recognizes Adelaide except Dillon, the oldest son. He figures she’s the ticket to fast cash and plots to snap photos of Adelaide around the farm and sell them to the tabs. What he doesn’t plan, however, is their mutual attraction.

A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.

Action – Diana lives her life trying to appease her husband’s abusive outrages. She finds comfort and guidance in the arms of another man. When her husband discovers Diana’s extramarital affair he threatens everyone she cares about. Lost and with no direction to turn, Diana finds solace in God and realizes she was never alone. – April Marcell, Aries Marvin Uzzle, Ryan Harrington

The story of former Hollywood star Grace Kelly’s crisis of marriage and identity, during a political dispute between Monaco’s Prince Rainier III and France’s Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.

Ollie Clarke and his gang take on world.

It’s magical mayhem when a puppy unearths a genie’s lamp housing two boisterous, bickering Genie brothers.

Lifetime’s first-ever Christmas sequel to last year’s hit movie, Merry Liddle Christmas, Merry Liddle Christmas Wedding once again follows Jacquie Liddle (Kelly Rowland), as she and Tyler try to plan their perfect destination Christmas wedding. Naturally, Jacquie’s plans go awry when her boisterous family intervenes in her planning and her snooty wedding planner quits in protest. While nothing goes as initially planned, Jacquie and Tyler get a Christmas wedding more memorable than they could have ever dreamed.

A fairy tale character who is about to flunk out of fairy tale school, Jack must perform a heroic deed by Monday or fail miserably, just like his father before him. Anxious to make good, Jack sells his C.O.W. (Computer of Wonder) for a handful of magic beans and a mysterious book that records his adventures as he’s having them. Accompanied by his sidekick Grayson — a goose who ate a bean and underwent an amazing transformation — Jack climbs the magic beanstalk to recover the fabled Harp of Destiny from the evil Giant who lives in the sky. Helping Jack on his perilous quest is the spunky Jillian, a fearless young girl whom Jack meets on his journey — and who just may have a hidden agenda…

Archie (John Rhys-Davies) is a God on a mission to ensure that true love always wins. Or, short of that, that someone is going to die trying. Not that he particularly cares which outcome it is. That’s Archie’s “Bad Cupid” approach to romance and beware anyone who gets in his way, especially anyone he’s actually trying to help.