A couple deals with the aftermath of an adoption that goes awry as their household falls apart.

A group of entitled Beverly Hills oceanography students arrive at a mansion in Malibu, to study the local ocean waters. However, someone… or something, has other, more murderous intent, as the Students begin to disappear, one by one, murdered by some flesh-shredding entity, leaving wounds similar in nature to a shark attack. But how is that possible, when the nearest ocean is a half-mile away?

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

Three young people arrive from different parts of the country to go to college in Sao Paulo. On their first day there, a strange and intense attraction unites them. Together, they rent an apartment and begin living together, in close quarters. Sharing kisses and fond embraces. They exchange words of endearment with the naturalness of ordering a sandwich at a diner. They threaten to break up and the next moment they are all laughing together again. College days however soon come to an end and, with each having different paths to trail, separation is imminent. And consequently, their gestures, words and attitudes take on a new weight. Touching each other now takes on a new significance. Words of love are weighed down by consequences.

How do 1.1 billion people around the world live on less than one dollar a day? Four young friends set out to research and live this reality. Armed with only a video camera and a desire to understand, they spend just 56 dollars each for 56 days in rural Pena Blanca, Guatemala. They battle E.Coli, financial stress, and the realization that there are no easy answers. Yet, the generosity and strength of their neighbors, Rosa, Anthony and Chino gives them resilient hope. They return home transformed and embark on a mission to share their new found understanding with other students, inspiring and challenging their generation to make a difference.

A Civil War veteran returns home to the quiet countryside, only to find himself embroiled in a conflict between his family and the brutish cattle rancher harassing them.

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Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.

During a solo voyage in the Indian Ocean, a veteran mariner awakes to find his vessel taking on water after a collision with a stray shipping container. With his radio and navigation equipment disabled, he sails unknowingly into a violent storm and barely escapes with his life. With any luck, the ocean currents may carry him into a shipping lane — but, with supplies dwindling and the sharks circling, the sailor is forced to face his own mortality.

You left your home to move far away. You were struck by a wind of change and were unfaithful to yourself. You reinvented yourself and you are now feeling free. But suddenly pressure arises in you.

Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.

The story of Bobby Sands, the IRA member who led the 1981 hunger strike in which Republican prisoners tried to win political status. It dramatises events in the Maze prison in the six weeks prior to Sands’ death.