In a world where animals have turned on humanity, a teen travels across the country in search of the girl of his dreams.

Michael Lynch is a notorious criminal with two wives and a flair for showmanship. He’s also a huge embarrassment to the local police, who are determined to bring him down once and for all.

An Israeli counterterrorism soldier with a secretly fabulous ambition to become a Manhattan hairstylist. Zohan’s desire runs so deep that he’ll do anything — including faking his own death and going head-to-head with an Arab cab driver — to make his dreams come true.

A koala named Buster recruits his best friend to help him drum up business for his theater by hosting a singing competition.

Joe Johnson, at the top of his stand-up comic game, decides to share a Halloween weekend away with a group of friends. They decide on the theme of a 1980s retro party, and jokingly suggest that if they get drunk, high, and behave badly enough, hopefully they’ll attract their own psycho killer. The joke is suddenly very much on them though, as in turn they reach their grisly demise at the hands of The Heckler, an uninvited guest out to turn their nostalgic horror movie fantasy into a terrifying reality, before delivering an unforgettable punchline…

Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.

Inspired by actual events in the late nineties when Hasidic Jews were recruited as mules to smuggle ecstasy from Europe into the United States.

A group of actors sneak into a theater overnight to see if they can experience any of the alleged ghost sightings.

As good as any Dickens novel, this is the triumphant and tragic story of the greatest architectural dynasty of the 19th century. Dan Cruickshank charts the rise of Sir George Gilbert Scott to the very heights of success, the fall of his son George Junior and the rise again of his grandson Giles. It is a story of architects bent on a mission to rebuild Britain. From the Romantic heights of the Midland Hotel at St Pancras station to the modern image of Bankside power station (now Tate Modern), this is the story of a family that shaped the Victorian age and left a giant legacy.

This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she’s crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.