Did you ever wish you could get the hottest girl in school? This is the story of how non-jock Henry (Gregory Smith) indeed gets the girl, Grace (Jordana Brewster), but not without complications.

THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

A ragtag group of gunslingers try to make their way in a post-apocalyptic world. The twist to this world is that it’s just not barren and dangerous, it’s also filled with flesh-eating zombies. The gunslingers will find themselves stranded in a town and forced to make a choice on either to save the citizens of the town or save themselves.

A self-centered hypochondriac returns to his quaint hometown to visit his five childhood doctors in a single day, avoiding everyone from his past except his hapless former best friend whom he ropes into driving him around.

Inspired by author Eric Schlosser’s New York Times best-seller of the same name, director Richard Linklater’s ensemble drama examines the health issues and social consequences of America’s love affair with fast food and features an all-star cast that includes Greg Kinnear, Ethan Hawke, Kris Kristofferson, Patricia Arquette, and Luis Guzman.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the “Institute of Snap!thology,” where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?

A movie about a young honors student-turned-anarchist, Puck, and his group of anarchist friends living peacefully in a Dallas commune until a nihilist, Johnny Black, appears with The Anarchist Cookbook and completely destroys their way of life.

A down-on-his-luck actor is frustrated with Hollywood and makes a plan to write, direct, and distribute his own project. When the money goes missing, it proves to just be the beginning of an adventure to get it back.

Todd and Bruce, a hapless screenwriting team, get one last shot at success thanks to Todd’s wealthy uncle, Sarge. If they pen a worthy horror script, Sarge will fund the entire project. But there is one condition – the script must be complete in two weeks. With the deadline looming and no fresh ideas, Todd and Bruce head to Shangri-La, a serene artist’s retreat, with the hope that the peace and company of fellow artists will inspire greatness… or, failing greatness, at least enough for straight-to-DVD. Shangri-La proves to be anything but serene, as the artists die off one by one, seemingly by accident. Bruce convinces Todd to soak in this morbid atmosphere to help with the writing, but soon those two are fighting for their lives as well.

Maverick old-guard coach Jimmy McGinty is hired in the wake of a players’ strike to help the Washington Sentinels advance to the playoffs. But that impossible dream hinges on whether his replacements can hunker down and do the job. So, McGinty dusts off his secret dossier of ex-players who never got a chance (or screwed up the one they were given) and knits together a bad-dream team of guys who just may give the Sentinels their title shot.

Desperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what “normalcy” really means in a world of mistaken identities, very old, old friends, and poisoned meatballs.