Directed by a different Matthew Price than the MAMO host, this film follows a team of programmers develop a revolutionary new dating app called Other Halves. On the night before the app is set to launch, they discover it causes strange side effects: users lose all self-control, becoming amoral, lascivious, violent… evil. They consider shutting the app down, but… Evil is profitable.
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Jackie Chan stars as Wong Fei-Hung, whose mischievous antics land him in hot water. Having tolerated enough of his son’s mishaps, Fei-Hung’s dad enlists his sadistic uncle, who specializes in drunken-style kung fu, to teach the lad some discipline. This Hong Kong martial-arts comedy helped establish the slapstick fighting style that would become Chan’s trademark.
A straight-edged teacher finds trouble when an honors student is willing to do anything to get an A.
Homicidal maniac Jason returns from the grave to cause more bloody mayhem. Young Tommy may have escaped from Crystal Lake, but he’s still haunted by the gruesome events that happened there. When gory murders start happening at the secluded halfway house for troubled teens where he now lives, it seems like his nightmarish nemesis, Jason, is back for more sadistic slaughters. But as things spiral out of control and the body count rises, Tommy begins to wonder if he’s become the killer he fears most.
In a desolate and treachorous region of space known as the Velocity Run, a heavily armored ship passes every six months. It carries billions of Universal Dollars between the colonies and the Central Bank on Earth. Hard currency has returned due to rampant electronic crime. Now a team of highly trained mercenaries are about to commit the perfect crime in a place where evidence and witnesses have no chance of survival. In this deadly corridor of space, a single man must stop them.
Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing.
A woman reeling from the death of her parents becomes attached to an alluring man whose sudden disappearance sends her and her friends into a haunted high-rise to find him.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
Eliska’s husband has left her for a younger woman. She is childless, in her early forties, yet still attractive. Till then she had taken care of her successful husband, but now she has to start anew without his financial support. Eliska starts teaching at a local village school. Since she can’t find a lodging, she moves to a former morgue. The small house is already occupied by a quirky and grumpy graveyard keeper named Bozicek. Their house sharing leads to a series of comical conflicts, but they eventually fall in love and Eliska proves to her ex-husband that she is able to stand on her own.
Raymond lives at home alone with his Uncle Joe. His Uncle abuses him every chance he can get. When Uncle Joe suffers a debilitating stroke, Ray is forced to care for him full time. As a result he gets closer to his Uncle, but when Ray attempts to delve deeper into his Uncle’s life, he’ll soon find that some things are best left unknown. Starring Joel M. Reed, director of Blood Sucking Freaks.
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