Les Blank’s first feature-length documentary captures music and other events at Leon Russell’s Oklahoma recording studio during a three-year period (1972-1974).

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The Coming War on China is John Pilger’s 60th film for ITV. Pilger reveals what the news doesn’t – that the United States and the world’s second economic power, China (both nuclear armed) are on the road to war. Pilger’s film is a warning and an inspiring story of resistance.

As the only black Formula One driver in history, Lewis’ journey to becoming the most decorated Formula One driver in history, is one of dreams, courage, and determination.

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“Cruel and Unusual” is the story of three men who have spent longer in solitary confinement than any other prisoners in the US because of the murder of a prison guard in 1972 at Angola, the Louisiana state penitentiary. Robert King, Herman Wallace and Albert Woodfox were convicted by bribed and blind eye witnesses and with no physical evidence. Targeted as members of the Black Panther party the film follows their struggle against the miscarriage of justice and their cruel and unusual treatment. Their story culminated in 2016 with the release of Albert Woodfox after 43 years in solitary confinement.

For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.

In December of 1968, three astronauts traveled to the Moon. This is the story of their lives and the amazing story of how they became the first human beings to travel beyond the confines of planet earth and reach the Moon. First to the Moon tells the amazing story of the Apollo 8 mission and the three men that crewed it. Through restored archival films from NASA, The National Archives, and the Astronaut’s own personal collections, this documentary takes you through time from the upbringing of each crew member and onward to present day.

Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.

The story of the battle to free Debbie Peagler, an incarcerated survivor of brutal domestic violence. Over 26 years in prison cannot crush the spirit of this determined African-American woman, despite the injustices she has experienced, first at the hands of a duplicitous boyfriend who beat her and forced her into prostitution, and later by prosecutors who cornered her into a life behind bars for her connection to the murder of her abuser. Her story takes an unexpected turn two decades later when a pair of rookie land-use attorneys cut their teeth on her case — and attract global attention to the troubled intersection of domestic violence and criminal justice.

I AM is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.

Vintage tomorrows examines the steampunk movement’s explosive growth, origins, and cultural significance. It explores the fundamental question: what can we learn about tomorrow from steampunk’s playful visions of yesteryear?