An unemployed man trying to steal from a convenience store, and the store clerk catches him in the act… the thief runs away with the store-clerk right after him. All the while, the store clerk is in trouble with a low-rank yakuza. Along the chase for the thief, they catch the eye of the Yakuza who’s been looking for the convenience store clerk
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Four young people are pulled into an alternate dimension through a portal in a sweat lodge. On the other side four murderous spirits of centuries-old gold hunters await to steal the young peoples’ bodies and return to the living world.
While conducting a seance during a Halloween party, high-school seniors unlock the demon that remains locked in the crematorium.
A pair of well-meaning, but socially inept brothers try to find their perfect mates in order to provide their dying father with a grandchild.
Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
Bobby Boucher is a water boy for a struggling college football team. The coach discovers Boucher’s hidden rage makes him a tackling machine whose bone-crushing power might vault his team into the playoffs.
Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague’s suicide and his fellow officers’ suspicious silence lead him to believe that they are on the gangsters’ payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster’s spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland’s insidious and brutal trap, they must use any means necessary (including murder) to get to the truth.
A sarcastic and self-deprecating Asian-American must take his naive Japanese cousin on a road trip along the California coast to find his ex-girlfriend.
Set during the relatively peaceful times of the The Next Generation era, focusing on two Starfleet officers as they attempt to transport a Klingon prisoner to a more secure location, only to be ambushed by a Klingon Bird-of-Prey that has been lying in wait. Unwilling to give up their prisoner, the officers soon find themselves staring down the barrel of Klingon disruptor cannons as they battle for their very lives in an attempt to escape…
The “head” of the family is literally that–a giant head on a tiny body, who psychically controls the rest of his even weirder family.
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