An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for 14,000 years.

The world renowned “Invincible Hand” Ken could identify not only mahjong tiles, but also cards with his fingers which had made him a legend. Upon his retirement as the Chief Security Consultant in Las Vegas, Ken returned to his hometown Macau, where he met his old friend Benz, and Benz’s son Cool and nephew Karl. Both Cool and Karl wanted to follow Ken. Ken claimed that if Cool could successfully cheat him once or win over him, he would then accept Cool as his protégé. Cool’s step brother Lionel, an undercover agent, had disguised his identity in an international gambling mafia which had planned to form an alliance with mafias in illegal gambling from all over the world to control the result of soccer matches. Lionel had recorded the entire conference, with the criminal evidence kept in an imitated eye. The eye was coincidentally given to Rainbow, Ken’s only daughter, which put her in danger. The retired Ken was forced to use his “Magic Hand” once again to uncover the evil plan…

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Tom and Anna Wright, a young American couple, fall into severe debt while renovating Anna’s family home in London. As the couple faces the loss of their dream to have a house and start a family, they discover that the tenant in the apartment below them is dead, and he’s left behind a stash of cash—$400,000 worth. Though initially hesitant, Tom and Anna decide that the plan is simple: all they have to do is quietly take the money and use only what’s necessary to get them out of debt. But when they start spending the money and can’t seem to stop, they find themselves the target of a deadly adversary—the thief who stole it—and that’s when very bad things start happening to good people.

Two 19th-century opportunists (Simon Pegg, Andy Serkis) become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist (Tom Wilkinson).

On a cold winter’s day Sergey Sobolev, a major at the local police office, is driving to the hospital where his wife is about to give birth to their child. High from happiness, he’s driving too fast and runs down a boy on a passage walk, who dies. Now the major has only two options: go to prison or conceal the crime. Sobolev decides to compromise with his conscience and calls on a colleague to help him out. But the case turns out to be messy and when Sobolev finally changes his mind and tries to make up for his deed, it’s already too late…

A game of paintball turns deadly when three unhinged and deranged ex-soldiers play a twisted mind game of catch and release with their unsuspecting victims. This quickly leads to a bloody man hunt where everyone is a target and no one is safe.

When a Greek fisherman leaves to fight with the Greek army during WWII, his fiancee falls in love with the local Italian commander. The film is based on a novel about an Italian soldier’s experiences during the Italian occupation of the Greek island of Cephalonia (Kefalonia), but Hollywood made it into a pure love story by removing much of the “unpleasant” stuff.

Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President’s daughter from rioting convicts at an outer space maximum security prison.

Julian (Álex González) and his friend Luis (Miguel Angel Silvestre) are two neighborhood boys who are part of a gang of violent neo-Nazis, led by Solis (Javier Bardem). After start training in a gym, Julian is transformed gradually thanks to the discipline of boxing, the nobility of his coach (Carlos Bardem) and the love of a young latin girl (Judith Diakhate). All of this takes away from the group, but Luis is not ready to accept that leave the “herd”.

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A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang (as himself) to direct an adaptation of “The Odyssey,” but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.