In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
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Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.
Recuperating from trauma, Jennifer remains in danger as she returns to a life she doesn’t remember.
After the tragic overdose of his estranged friend, Will, a recovering addict, returns home, where he is reunited with Claire, his friend’s grieving mother, with whom he begins a secret but volatile affair.
When his brother-in-law runs afoul of a drug lord, family man Chris Farraday turns to a skill he abandoned long ago – smuggling – to repay the debt. But the job goes wrong, and Farraday finds himself wanted by cops, crooks and killers alike.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
The story of two sisters who have been raised in isolation, subjected to the torment of their abusive, drug dealing father. When they finally decide to report him to the police, he kills the two officers and is put in jail. But things go from bad to worse when the girls must answer to their Uncle Costello, a psychotic drug kingpin, who shows up looking for his missing merchandise which is hidden in the woods.
A former sorority girl, longing for her old, fun college days, decides to take a job as house mother to her former college chapter, only to find that it is in shambles. The handsome Dean of Student Affairs tells her she must turn the chapter around before the national organization yanks their charter and they will no longer be allowed on campus. As she works with the girls, she realizes she needs to be the grown up and help these young women discover their true potential. With the help of the Dean she comes up with a way to save the chapter and falls in love in the process.
Gabriel is a man who on the surface has it all-successful professional life as an architect, a beautiful wife, Annie, and a devoted young daughter, Elizabeth. But slowly it dawns on him that he is not really happy. Gabriel decides that he wants to write a play about the sorry state of his life. He quits his job, gets a pushy literary agent friend to represent him and starts writing. Although his marriage ends in a divorce, the play is success and although his life is different than it was, he is happier.
A divorced teacher suddenly becomes jealous of everyone, including her daughter, friends and neighbors.
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