The two American Ninjas, Joe Armstrong and Sean Davidson, team up to do battle against a terrorist and his band of Ninjas.

Between 1926 and 1927, the Italian intellectual and Communist political figure Antonio Gramsci spent 44 days imprisoned on the island of Ustica, off the northern coast of Sicily. Together with his fellow prisoners, he founded a school. This unique institution was open to all, welcoming people of all ages and social backgrounds, even the illiterate. Ustica still remembers this revolutionary school. Ustica, remote and neglected, still waits patiently at the harbor, hoping that the boat from the mainland will come.

A heartbreaking home birth leaves a woman grappling with the profound emotional fallout, isolated from her partner and family by a chasm of grief.

A retiring detective tries to discover the identity of a half charred woman found in front of a District Attorney’s boat who is pursuing a child serial killer.

Eric O’Neill, a computer specialist who wants to be made an agent is assigned to clerk for Robert Hanssen, a senior agent with 25 years in the FBI, and to write down everything Hanssen does. O’Neill’s told it’s an investigation of Hanssen’s sexual habits, however Hanssen is really suspected of spying for the Soviet Union and Russia for years and being responsible for the deaths of agents working for the United States.

Stu Undercoffler (Eric Roberts) is a corrupt CEO whose drive for power has led him to make some highly unethical choices. Once Stu’s self-serving decisions have begun to spread darkness through the world, there’s no stopping it. After losing his wife, Stu begins to have a crisis of conscience but starts to believe he is being stalked and has been hallucinating. Is he losing his mind or have his former victims come back to wreck havoc on him?

A Democratic political consultant helps a retired Marine colonel run for mayor in a small, conservative Wisconsin town.

After a savage breakup, two exes must continue living together when California issues its stay-at-home order for COVID-19. Now they’ll try to move on without moving out.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.

English-language adaptation of Albert Cohen’s epic Swiss tale of a tortured love affair between a high-ranking Jewish official and the protestant wife of one of his employees.

Desperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what “normalcy” really means in a world of mistaken identities, very old, old friends, and poisoned meatballs.