After a car crash kills the love of his life, Wilmont Hastings takes a job at Dobbs Funeral Home. As their new undertaker, he receives unwanted advice about how to get his life back on track from the dead people he’s preparing for burial.
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A clueless, flamboyant college kid discovers that the soul of a great vampire king resides within him. Now he must choose between his friends and his destiny.
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Wendy and Sean meet on an airplane en route to New York. In a matter of days, they decide to get married.
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy — who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy’s chatty butler must suss out the culprit before the body count rises.
Tommy and EJ are brothers with nothing in common. Tommy is a straight A student who desperately wants to be cool and EJ is a former high school legend living at home, wasting away in middle management in GE’s innovation lab with dreams of becoming the next Mark Zuckerberg. When Tommy and EJ’s parents leave town for their second honeymoon, the boys join forces to throw a legendary high school party with hopes of making Tommy the king of his class and EJ the next great app developer.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Every town on Discworld knows the stories about rats and pipers, and streetwise tomcat Maurice leads a band of educated rodent friends (and a stupid kid) on a nice little earner. Piper plus rats equals lots and lots of money. Until they run across someones playing a different tune. Now Maurice and his rats must learn a new concept: evil…
An executive (Dave Foley) after being passed over for a promotion to president storms into his office only to find the man who got the promotion dead. Assuming everyone will think he committed the crime he takes off as a fugitive…
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