A comedy of life’s temptations – lust, greed and power. The city in question is Sydney and the colour green signifies greed and envy in David Williamsons amusing satire on its film and publishing industries. The story centers around the Rogers family, loosely modelled on Williamson’s own.

A year after his father’s death in Mexico, Victor returns to Buenos Aires with a twofold mission. On the one hand, he brings with him a new project for his former theater company; on the other, he abandons his part as The Princess of France and takes up a new role in front of five actresses who know him all too well, but who don´t know that time to work will soon become a time to think again about lost loves. (Rivera Maya Film Festival)

Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70’s Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.

Frankie Madison returns to New York after 14 years in prison. Noll Turner, Frankie’s former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal ’50:50′ agreement they made when he was caught and Noll got away. Fat chance! Can Frankie, who knows only the strong-arm methods of Prohibition, win out against Big Business? It’ll be tough…even with the unlikely alliance of torch singer Kay (Noll’s ex-girlfriend).

A high school filmmaker travels to Los Angeles to confront the man who murdered his girlfriend.

Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord’s soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.

As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.

Brandy Burre had a recurring role on HBO’s The Wire when she gave up her career to start a family. When she decides to reclaim her life as an actor, the domestic world she’s carefully created crumbles around her.

Powerful short film, which explores human existence at the most fundamental, personal level – what it means to be a conscious individual. Set hundreds of years in the future, a derelict spacecraft, controlled and powered by a human brain, floats aimlessly in the outer reaches of space. Trapped in the cold, mechanical prison of the vessel, the brain, which has no recollection or concept of self, miraculously begins to experience disjointed images of its former life – images it cannot understand. Yearning for freedom and yet unable to move, the brain devises a plan to build itself a mechanical body from parts of the ship. Maybe then it will understand the images it is seeing – maybe then it will feel alive.

The adventures of oil well fire specialist Chance Buckman (based on real-life Red Adair), who extinguishes massive fires in oil fields around the world.

A once-celebrated kid detective, now 31, continues to solve the same trivial mysteries between hangovers and bouts of self-pity. Until a naive client brings him his first ‘adult’ case, to find out who brutally murdered her boyfriend.

The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.