A feature-length exploration of the game’s creation, GROUNDED: Making the Last of Us is a love letter to the trials of exploring new territory. There are no road maps or guide books for creating a new world. The only way through is to fail—over and over again. This is the story of how a team of artists, musicians, programmers, writers, actors, filmmakers, playtesters, and a lonely UI designer—came together and pushed each other to build something larger than themselves.

Fed up with mistreatment at the hands of both management and union brass, and coupled with financial hardships on each man’s end, three auto assembly line workers hatch a plan to rob a safe at union headquarters.

The lives and careers of four Asian-American rappers trying to break into a world that often treats them as outsiders. Sharing dynamic live performance footage and revealing interviews, these artists will make the most skeptical critics into believers.

A swirling, impressionistic portrait of an artist who regretted nothing, writer-director Olivier Dahan’s La Vie en Rose stars Marion Cotillard in a blazing performance as the legendary French icon Edith Piaf. From the mean streets of the Belleville district of Paris to the dazzling limelight of New York’s most famous concert halls, Piaf’s life was a constant battle to sing and survive, to live and love. Raised in her grandmother’s brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee (Gerard Depardieu), who persuaded her to sing despite her extreme nervousness. Piaf became one of France’s immortal icons, her voice one of the indelible signatures of the 20th Century.

Two apathetic police academy recruits who become best buddies through the tough training together witness a woman being abducted right before their very eyes. As they were taught in the academy, they quickly report the incident to the police, but the police are in no hurry to jump on the case. So the duo decide to take the matter into their own hands and rescue the woman.

A cold-blooded killer gets caught up in a surreal game of death in this neo-noir thriller starring Costas Mandylor. The winter winds are whipping outside when the unremorseful assassin dispatches with his latest target. But this time something goes wrong. Time begins to fold in on itself when a shadowy assailant strikes out from the darkness, turning hunter into prey in the span of seconds. The mysterious pursuer seems to anticipate the killer’s every move, and as events begin to repeat themselves nobody is who they seem. A sudden stranger to his friends and associates, the killer begins to question his sanity after fresh wounds vanish from his flesh without a trace. When an unexpected telephone call reveals that his intended target is still alive, he is forced to relive his actions time and again while speeding ever closer toward a confrontation with the one adversary who could bring about his downfall.

Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The

When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region.

Director Andrew Kötting and writer Iain Sinclair sail a swan-shaped pedalo from Hastings to Hackney in London in the build-up to the 2012 Olympic Games.

Hobbs has Dominic and Brian reassemble their crew to take down a team of mercenaries: Dominic unexpectedly gets convoluted also facing his presumed deceased girlfriend, Letty.

A story centered on a man who works as an informant for the French border patrol.

Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.