When a teenage girl discovers her own mother is behind the recent rash of nearby bank robberies, she’s determined to help her come clean.
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Years after declaring her eternal virginity and opting to live life as a man in the mountains of Albania, Hana looks to return to living as a woman as she settles into a new existence in modern-day Milan.
After robbing a strip club, three desperate teenage girls lead a misogynistic Federal Agent on a lysergic cross-country chase, scoring a duffle bag full of money, drugs, and a crew of willing kidnapees along the way.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
Feature film adaptation of Shakespeare’s Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.
When a restless young married woman is granted a wish by a Christmas Angel to be single again, she soon discovers her new life isn’t what she bargained for, and embarks on a quest to win her husband back.
A street-wise kid, Mark Sway, sees the suicide of Jerome Clifford, a prominent Louisiana lawyer, whose current client is Barry ‘The Blade’ Muldano, a Mafia hit-man. Before Jerome shoots himself, he tells Mark where the body of a Senator is buried. Clifford shoots himself and Mark is found at the scene, and both the FBI and the Mafia quickly realize that Mark probably knows more than he says.
In Center Stage: On Pointe, Jonathan Reeves (Gallagher) is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his his top choreographers Charlie (Radetsky), Cooper (Stiefel) and Tommy (Wormald) to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker (Muñoz), who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp. Chloe Lukasiak plays Gwen, a talented dance prodigy who competes at the camp. – Denise Petski
For decades the criminal underworlds of the North and South bumped along begrudgingly. Like the Cold War, territories were respected out of the necessity to avoid apocalypse, with each side keeping tabs on the other’s capability. Such a precarious false harmony could not last forever. Now someone has crossed the line, and there’s no going back. An illicit love affair smolders, breaking taboo and threatening catastrophe at the smallest mistake. It is a romance of purest, unadulterated love, yet so forbidden that its discovery would wreak total carnage. The story is told through vignettes of strikingly original characters, with intertwining subplots that echo the complexity of life in the dog-eat-dog criminal underworld.
Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes – life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.
Τwo sisters from the island of Andros, dubbed Little England because of its affluence, are both in love with the same man. Set in the Greek Civil War period and ending in the 1950s, the movie is based on the homonymous novel by Ioanna Karystiani.
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