Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-1939), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.
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While settling his father’s estate, Finn Conrad becomes suspicious as to why the man left a nurse $50,000. His dad knew her for less than two months before he died. Just before Christmas, Finn wants what to reclaim what he considers his family’s money, going undercover to investigate the bed and breakfast the nurse has recently taken over. When Finn meets Willa, he discovers she’s not a conniving gold digger at all, but a woman in need who put the money to good use. When she discovers his true identity, will it keep Willa from ever trusting him again?
Socialite Vita Sackville-West and literary icon Virginia Woolf run in different circles in 1920s London. Despite the odds, the magnetic Vita and the beguiling Virginia forge an unconventional affair, set against the backdrop of their own strikingly contemporary marriages; which inspired one of Woolf’s most iconic novels, ‘Orlando’.
An Irish immigrant family adjusts to life in the United States, a chance to get over the lost son. They have no money and the apartment is in bad condition.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he’s a Gallic James Brown, and a morose, micromanaging groom determined to make Max’s night as miserable as possible. But what makes the affair too bitter to endure is that Max’s colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It’s going to be a very long night… especially once the groom’s aerial serenade gets underway.
Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.
Ride with the Devil follows four people who are fighting for truth and justice amidst the turmoil of the American Civil War. Director Ang Lee takes us to a no man’s land on the Missouri/Kansas border where a staunch loyalist, an immigrant’s son, a freed slave, and a young widow form an unlikely friendship as they learn how to survive in an uncertain time. In a place without rules and redefine the meaning of bravery and honor.
Three brothers are confronted with an imposing father who avail them the heritage, identity and emotional intelligence: seven weeks is the deadline for each of them find the respect and love of a woman.
Blue collar childhood buddies Frank, Swaino and Packie – deeply bonded over Frank’s daughter Crystal, who they helped raise – meet off-hours one night in Frank’s out-of-the-way repair shop under cloudy circumstances that only Frank seems to have a handle on. Enter Chad, a rich, college jock, whose arrival ignites a long-simmering resentment that sets this dark, twisty drama on its breathless course.
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