Caroline and Lloyd are a married couple constantly at each other’s throats, masters at crafting acid-tongued barbs at the other’s expense. Indeed, they are so obsessed with belittling each other that they never stop — not even at gunpoint. The gunman is Gus, a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him — for the sake of his own sanity — into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple’s marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion.

Three devastating teenage stories fuse beneath the calm of a quiet, average neighborhood.

Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.

An event planner must organize the perfect wedding for her sister in less than a month when she finds out that the Rosewood, a historic inn and beloved wedding venue, is being sold.

Prince Nikki, Lieutenant of the Guard in pre WWI Vienna, is flat broke, but the only advice he gets from his parents is either to shoot himself or to marry money. During the Chorpus Christi parade his horse accidentaly hurts poor Mitzi, the daughter of inn-keepers in a Viennese suburb, who is, according to the wishes of her parents, going to marry the butcher Schani. When Nikki visits her at the hospital, they fall in love, much to the dislike of her parents and Schani. Nikki’s parents, meanwhile have arranged a prospective marriage with Cecilia, the limping daughter of a very rich non-aristocratic industrial. Due to the fact, that Nikki’s father is a general in the Austrian-Hungarian Army, resitance is useless. When Mitzi, after hearing of it, is still refusing Schani’s proposal, he vowes to shoot Nikki when he leaves the church.

A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.

A misanthropic 20-something gay visual artist, Mark, finds himself unwittingly in New York City after he lies to his mother about a job at a prestigious art gallery. He then takes a survival job babysitting for 6-year-old Milo, whose faith in Mark is empowering and ultimately, transformative.

February 1976. Somalian rebels hijack a school bus carrying 21 French children and their teacher in Djibouti City. When the terrorists drive it to a no-man’s-land on the border between Somalia and French territory, the French Government sends out a newly formed elite squad to rescue the hostages. Within a few hours, the highly trained team arrives to the crisis area, where the Somalian National Army has taken position behind the barbed wire on the border. The French unit is left with very few options to rescue the hostages. As the volatile situation unravels, the French men quickly come up with a daring plan: carry out a simultaneous 5 men sniper attack to get the children and the teacher out safely. A true story.

A British architect’s (David Farrar) daughter spites her French stepmother (Noëlle Adam) by hanging out with Soho beatniks.

When their home security system malfunctions, a family struggles to survive an attack against a state of the art patrol guard that believes they are intruders.

A soldier, reported dead in the war, returns home 20 years later. Wounded and with a new face and identity, the crippled man discovers that he has a grown son and that his wife has remarried.

Two couples are caught inside a bomb shelter as nuclear war rages outside.