Smart, crude, and in-your-face, Australian comic/actor/equal-opportunity-offender Jim Jefferies is not for the faint of heart. Whether he is lampooning gun control, auditioning disabled actors, or over-sharing sexual experiences, the FXX “Legit” star proves nothing is out of bounds and even less, off limits. Filmed during the Boston run of his recent stand up tour.

When fans cannot get close to the real thing, these professionals step in to fill the void. As the old adage goes, ‘imitation is the sincerest form of flattery.’ From a celebrity impersonator convention to their lives across the country, JUST ABOUT FAMOUS chronicles the few who have had the fortune, or curse, of looking like the most recognizable people on the planet.

The Japanese volleyball players called the “Oriental Witches” are now in their 70s. From the formation of the team at the factory until their victory at the Tokyo Olympics in 1964, memories and legends rise to the surface and blend inextricably.

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth’s resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

Brain scientist Professor Richard Davidson sets up his mind to conduct an unusual experiment: He will teach American war veterans and children meditation and yoga. Can veterans through meditation and yoga ease their pain and nervous system, find happiness and be more peaceful and get back to a life more like the one they had before the war?

In the late 1980s and early 1990s, skateboarding and hip-hop culture collide in downtown Manhattan. Archival footage from the era showcases the fusion of these two forms of expression.

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

Directed by Al Reinert and with music scored by Brian Eno, “For All Mankind” provides a testament to NASA’s Apollo program of the 1960s and ’70s. Composed of actual NASA footage of the missions and astronaut interviews, the documentary offers the viewpoint of the individuals who braved the remarkable journey to the moon and back. While compiling the material for the film, Reinert went through more than six million feet of film of these historic moments.

The whale hunters of the Faroe Islands believe that hunting is vital to their way of life, but, when a local professor makes a grim discovery about the effects of marine pollution, environmental changes threaten their way of life forever.

An authentic first person view into the lives of full-time touring bands and the daily struggles they encounter on the road.

Spike Lee pays tribute to Michael Jackson’s Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.

The comedic stylings of four sort-of famous funnymen are brought to the big screen courtesy of this 2002 documentary.