Disgraced ex-England captain (Danny ‘Mean Machine’ Meehan) is thrown in jail for assaulting two police officers. He keeps his head down and has the opportunity to forget everything and change the lives of the prisoners. These prisoners have the chance to put one over the evil guards. The prisoners are lead by Danny and the whole of the prison, guards aside, are behind them.
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Young Ganga is sold to a brothel in Mumbai in the garb of becoming an actor by her lover in the 1950s. She goes on to become the feared Gangubai – the Matriarch of Kamathipura – the champion of female emancipation and advocate of rights for sex workers in a chauvinist and narrow-minded society.
A subversive love story between clashing cultures and families, KISS ME BEFORE IT BLOWS UP is a romantic misadventure crossing all borders. When two generations of Israeli women fall for a German woman and an Palestinian man, chaos follows. What happens with lovers who don’t fit but do belong together?
An uptight insurance man and his film-censor wife become a kinky couple’s landlords.
Mr. Kim is jobless, lost in debt and has been dumped by his girlfriend. He decides to end it all by jumping into the Han River – only to find himself washed up on a small, mid-river island. He soon abandons thoughts of suicide or rescue and begins a new life as a castaway. His antics catch the attention of a young woman whose apartment overlooks the river. Her discovery changes both their lives.
Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).
Lauren wants to rebuild her community, including her family home, in the aftermath of a devastatingly disastrous storm.
There is a true story of a woman who died in her apartment and it took people a year to find her body decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule DOES notice. And when he resurfaces, she decides to follow him setting of a chain of events that bind them together…
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