A night guard at an armored car company in the Southern U.S. organizes one of the biggest bank heists in American history.
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For the first time in sixteen years, comedic icon Roseanne Barr returns to the stage for one night only on Fox Nation, with no subject off limits.
Hansel Schmidt, is a young East German boy, born and raised during the Cold War in communist East Berlin. In his 20s, he meets Luther Robinson, an older American soldier, who falls in love with Hansel and the two decide to marry, which will allow Hansel to leave communist East Germany for the West. But, in order to marry, Hansel must undergo a sex-change. However, the procedure does not go perfectly and Hansel becomes not a trans woman, but a ‘genderqueer’, Hedwig. Back in the USA, on their first wedding anniversary, Luther leaves Hedwig for another man. On that same day the news headlines were of the fall of the Berlin Wall and freedom. Hedwig tours the US with her rock band and relates her life story while following her ex-boyfriend/band-mate Tommy Speck (to whom she gives the stage name “Tommy Gnosis”), who stole her songs and rose to fame.
Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn’t like kissing her boyfriend very much. And she’s pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to “sexual redirection” school, where she must learn how to be straight.
Assigned to protect a small town in Vietnam, Dao arrives to fight against the crime boss; but soon his past catches up with him, threatening to destroy the cherished village.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
When big city detectives refuse to further investigate his kid brother’s gang related murder, small town Sheriff Michael Spencer drops the badge and goes undercover to find his brother’s killer and avenge his death.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
When Jimmy finds a mysterious package in the trunk of his latest boost, he is thrust into a violent underworld of criminals, and a race against the clock to save a little girl’s life.
A con man comes to an Iowa town with a scam using a boy’s marching band program, but things don’t go according to plan.
A ferocious, prehistoric Megalodon has returned to the surface, terrorizing a group of oil rig workers and members of a local fishing village.
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