In a boorish future, the government sponsors a popular, but bloody, cross-country race in which points are scored by mowing down pedestrians. Five teams, each comprised of a male and female, compete using cars equipped with deadly weapons. Frankenstein, the mysterious returning champion, has become America’s hero, but this time he has a passenger from the underground resistance.

Flighty Emily “Jacks” Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer’s assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.

Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.

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Ariane Felder is pregnant! This is surprising with her being a young hardened judge with strict morals. But what is more surprising is that, according to paternity testing, the child’s father is none other than Bob, a criminal from the prosecution charged with an atrocious attack! Ariane doesn’t remember any of what has happened, so she has no idea what to expect…

Two best friends and recovering addicts embark on a frantic chase through New York City to stop the woman they are both in love with from killing her ex-boyfriend.

Comedian and actress Nikki Glaser takes on a range of topics in her brutally-honest yet conversational style. Whether she’s dishing about sex, outlining the do’s and dont’s of dating (and how to trick someone into marriage), or oversharing about her (not-so-private) parts, Glaser delivers an hour of unapologetic and no-holds-barred comedy around topics often considered “taboo,” and showcases her ability to pivot from humiliating moments to being an empowering voice for women: the kind she yearned for as a confused adolescent.

Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.

Isobel Gray plans a storybook Christmas with her boyfriend, including a snow-covered cottage in the Northwest, and a carefully composed bucket list of classic holiday traditions. But when the boyfriend goes AWOL, the list proves challenging and a tempting new romance turns her life upside down. Will Isobel have a White Christmas ending under the mistletoe?

Two best bros must get off work in time to make it to their 10 year high school reunion and reconnect with the girls that got away.

When the kingdom’s most wanted-and most charming-bandit Flynn Rider hides out in a mysterious tower, he’s taken hostage by Rapunzel, a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair. Flynn’s curious captor, who’s looking for her ticket out of the tower where she’s been locked away for years, strikes a deal with the handsome thief and the unlikely duo sets off on an action-packed escapade, complete with a super-cop horse, an over-protective chameleon and a gruff gang of pub thugs.

American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.