As the Palaces Burn is a feature-length documentary that originally sought to follow Lamb of God and their fans throughout the world, to demonstrate how music ties us together when we can’t find any other common bond. However, during the filming process in 2012, the story abruptly took a dramatic turn when lead singer Randy Blythe was arrested on charges of manslaughter and blamed for the death of one of their young fans in the Czech Republic. What followed was a heart-wrenching courtroom drama that left fans, friends, and curious onlookers around the world on the edge of their seats.

Jesse Hughes, AKA Boots Electric, AKA The Fabulous Weapon, AKA “The Devil” – guitarist, beloved frontman of the band Eagles of Death Metal, man of God, and (possibly) aspiring conservative politician. VICE presents The Redemption of the Devil, which follows Jesse as he gets ordained as a Catholic minister, begins an intense relationship with an ex porn star, explores the political arena, and fights for custody of his only child, all while preparing for the fervently awaited release of his first album since 2008 with childhood best friend Josh Homme, frontman of Queens of the Stone Age.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

Centuries ago, many cultures believed the Earth was a flat disc. As scientific thought and technology evolved, the Earth was revealed to be a globe, a view that’s widely accepted today—but not by everyone. The flat Earth movement has seen a recent resurgence. These conspiracy theorists deny the scientific model of the globe and join together through conventions, forums and online platforms to discuss their belief system. On the other end of the spectrum, the scientific community aims to counter this resurrected myth, resulting in an ever-growing public battle of conspiracies and anti-intellectualism. Giving a well-rounded look at all sides of the debate, Behind the Curve shows that no matter where you stand on this issue, the conversations and people around it are anything but flat.

In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services.

Follows three young, committed Public Defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up.

Tells the story of an American social culture embedded with racism, war, oppression, and poverty where these asphalt warriors escaped and rose above it all with a mutual love and respect.

Lisa Immordino Vreeland directs this documentary about Academy Award-winning costume designer Cecil Beaton. A respected photographer, artist, and set designer, Beaton was best known for designing on award-winning films such as ‘Gigi’ (1958) and ‘My Fair Lady’ (1964). The film features archive footage and interviews with a number of models, artists, and filmmakers who worked closely with Beaton during his illustrious career.

Rich archive and emotional interviews are at the core of this telling of the turbulent life of British footballer Justin Fashanu. His coming out in an age of widespread homophobia not only damaged his football career, but led to the demise of his relationship with the brother with whom he shared a painful early history and a lifelong rivalry.

50 years after launching our dreams into space, we’re left with a troubling legacy: a growing ring of orbiting debris that threatens the safety of earth’s orbits. SPACE JUNK is a visually explosive journey of discovery that weighs the solutions aimed at restoring our planet’s orbits. Experience mind-boggling collisions, both natural and man-made. Soar for the stunning depths of Meteor Crater to an unprecedented view of our increasingly crowded orbits – 22,000 miles above earth. Join us as foremost expert Don Kessler, the “Father of Space Junk,” guides us through the challenges we face in protecting them, forging a new age of space discovery.

The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.

Though the recession officially ended in summer 2009, the fallout continues for some 25 million unemployed and underemployed Americans, many of whom worked their way up the corporate ladder..