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An up-tight lawyer, Lenny Rubins, (Timothy Spall), has to put his dream retirement on hold when his ailing mother (Honor Blackman) emotionally blackmails him into reuniting his estranged children for a Jewish holiday. They may be peas from the same pod, but in Lenny’s eyes, his grown-up children are certainly not even from the same planet: a ruthless control-freak and hard-nosed capitalist, an outspoken, argumentative eco-warrior committed to the cause, an outer-worldly Buddhist Monk; and to cap it all, a bible bashing born-again Rabbi. While they might quarrel, fight, and perhaps even be starting a war in Africa, they are still family. It is going to take a whole lot of soul-searching and sacrifice for everyone to come together in this comic drama. Written by monterey media inc.

Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

Paranoia sets in as the Black Death strikes European villagers in the 14th century.

This gripping adaptation of the Jerome Lawrence-Robert E. Lee play examines an issue that still causes great controversy: the role religion should play in the schools.

Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.

Neil and Alice Bennett are the core of a wealthy family on vacation in Mexico with younger members Colin and Alexa until a distant emergency cuts their trip short. When one relative disrupts the family’s tight-knit order, simmering tensions rise to the fore.

Germán, an honest family man, sees how his whole world wobbles the night when, driving home, accidentally runs over two teenage girls. From that moment, Germán will have to do everything in his power to prevent his life from being destroyed forever.

This South Korean film takes place on an isolated lake, where an old monk lives in a small floating temple. The monk has a young boy living with him, learning to become a monk. We watch as seasons and years pass by.

After federal agents arrest a drug czar and put him on trial, the cartel leader’s vicious son storms a prep school and takes its students hostage. They rebel against the armed intruders and try to take back their academy by any means necessary.

George Wallace is a 1997 television film starring Gary Sinise as George Wallace, the former Governor of Alabama. It was directed by John Frankenheimer, who won an Emmy award for it; Sinise and Mare Winningham also won Emmies for their performances. The film was based on the 1996 biography Wallace : The Classic Portrait of Alabama Governor George Wallace by Marshall Frady, who also co-wrote the teleplay. Frankenheimer’s film was highly praised by critics: in addition to the Emmy awards, it received the Golden Globe for Best Miniseries/Motion Picture made for TV. Angelina Jolie also received a Golden Globe for her performance as Wallace’s second wife, Cornelia.

Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin, at the recreation centre where they are choir members, they have been inseparable. However, because they are “different,” their loved ones are fearful of their relationship. As the choir prepare for an important music festival, Gabrielle does everything she can to gain her independence. As determined as she is, Gabrielle must still confront other people’s prejudices as well as her own limitations in the hope of experiencing a love far from the “ordinary”.