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A gang of South Korean thieves team up with a Hong Kong crew to steal a diamond necklace from a heavily-guarded casino safe in Macau. As the cops close in, old betrayals — and misunderstandings — resurface.
As a screenwriter takes notes from Hollywood executives, her beautiful diverse movie about a black American woman traveling to Mexico, slowly becomes a romantic comedy with an all-white cast. A quirky cerebral look into commercialism and greed, juxtaposed with a heartwarming movie that challenges stereotypes.
When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of Raymond, her married boyfriend, April wants nothing to do with the kids.
Meltdown, a Zombie/Comedy utilizing a stylistic mix of Shaun of the Dead and Mad Max, is an extension of the short that won Jake Mulliken and Lucky4Productions RAW Artists’ Pittsburgh Film Maker of the Year in November, 2013. The film follows Zeke (Robert McMurray), Callie (Alicia Marie Marcucci), Les (Seth Gontkovic) and Hunter (Jake Mulliken) on the eve of Hunter’s 29th birthday as they share in a few drinks on a seemingly dull day in their hometown of Somerset. The day takes a turn for the worse as everyone they have ever known are suddenly transformed into aggressively murderous flesh eating freaks. The four comrades are forced to hack and slash their way through the reanimated corpses of their closest friends and loved ones, only to find themselves on the precipice of a post apocalyptic wasteland littered with monsters and the looming threat of their fellow survivors.
It’s 1984, and Michael Jackson is king – even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy’s father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.
In 1947 when the maps of India and Pakistan were being drawn, an oversight ensured that the village of Paglapur didn’t find a place in either country. Over 60 years later, Paglapur is isolated, and in need of help. The residents seek help, but as a direct result of being left off the map, they find noone willing to accept Paglapur, and its problems, as their jurisdiction. The villagers decide they need to draw media attention to Paglapur, and in so doing, gain acceptance and help from those who had previously denied them.
Disillusioned with life in the city, feeling out of place in suburbia, and frustrated that her happily ever after hasn’t been so easy to find, Giselle turns to the magic of Andalasia for help. Accidentally transforming the entire town into a real-life fairy tale and placing her family’s future happiness in jeopardy, she must race against time to reverse the spell and determine what happily ever after truly means to her and her family.
The hyperactive red-headed bird enters a turf war with a big city lawyer wanting to tear down his home in an effort to build a house to flip.
A group of deadly assassins kidnap a hostage in the hope of getting a high ransom but when they manage to lose themselves in a forest and end up spending the night in a haunted house they manage to disrupt the plans of the ghosts to descend to heaven. The assassins hatch a plan to solve the problem but in doing so reveal themselves to be incompetent, so the ghosts decide to give them some training themselves…
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